Sunday, 9 October 2011
Working the night shift - and memories of Fleet Street
On Saturday and Sunday mornings I wake in the grey light of dawn, fretting that my student daughter has got home to her flat all right. She’s working weekends in a chic Shoreditch bar from seven pm till six am and I can’t help worrying. Actually, I didn’t even realise bars stayed open till six, but then again I don’t think I’ve been inside one since about 2002.
The upside of the job is that by the time she’s finished serving drinks, stacking glasses and clearing up, it’s daylight and she’s on her way home. The downside is that she misses half the weekend because she’s asleep.
Nurses, doctors, security guards, DJs (a big shout-out to Radio 2’s lovely Alex Lester – the only person capable of making listeners laugh at three am) all know what it’s like to work through the night. A friend of mine who worked for breakfast TV said her body clock got so mixed up that she found it difficult to eat. The answer, she found, was to live on cereal - the only food she could face eating at any time of the day or night.
Years ago I used to work night shifts as a young news reporter on the Evening Standard. For one week every three months I’d pitch up at midnight and toil till eight in the morning, manning the news desk phones, commissioning copy from foreign correspondents across the globe and sifting through the morning papers in search of stories to follow up for the first edition.
One of the worst tasks was having to ring some poor hapless reporter when a story broke unexpectedly at two am and telling them to get out of bed and drive to the other end of the country – er, like, NOW. It could be an apocryphal tale but a night reporter once answered the phone in the early hours to find a drunken hack at the other end. “I’m in a hotel overlooking a river - but I don’t know where I am,” he garbled. Slowly and patiently, the night reporter embarked on the tricky task of helping him work out where the hell he was. And more to the point, why.
The best part of doing nights was the moment the bright-eyed day staff arrived for their shifts and I could run down the office stairs, out of the door and jump straight on the bus back to Battersea. Those days are long gone now, but even today, just smelling stale coffee in a Thermos flask or strolling past the posh offices that were once home to Fleet Street’s finest, takes me back to those far-flung times.
Labels:
Alex Lester,
Fleet Street,
Journalism,
night shifts
Saturday, 8 October 2011
Bicester Village - like Bond Street in the country
When I moved to Oxfordshire a few years back I was amazed to discover we had the out-of-town equivalent of Bond Street on our doorstep.
Bicester Village looks like a quaint New England street, all white clapboard shop-fronts and tasteful landscaping, but in reality it’s a shoppers’ paradise just two miles off the M40. The 130 or so shops include all the names fashionistas worth their salt dream about, from Vivienne Westwood and Anya Hindmarch (above) to Dolce & Gabbana and Versace. They stock clothes, bags, shoes, you name it, from last season at knock-down prices - perfect for these tough economic times. Reductions range between 33 and 60 per cent but eagle-eyed shoppers make a point of watching out for “further reduction” periods, when some prices drop by a staggering 70 or 80 per cent.
The place attracts more than four million bargain-hunters a year from all over the world and is virtually always packed – so much so that a couple of years back they had to build a vast second car park.
If you want to take a break from shopping and treat yourself to lunch there are loads of tempting restaurants, including Carluccio’s, Villandry and Jamie Oliver’s Fabulous Feasts, while at Christmas the Bicester Village staff organise late night shopping evenings, complete with carol singers, mince pies and mulled wine.
Armani, Gucci and Superdry have all arrived in the last couple of years but my favourite shops are Mulberry, where I bought a gorgeous Bayswater bag at half price, Jack Wills (my stylish 19-year-old daughter says it’s too preppy for her but the staff are delightful), All Saints and L’Occitane for heavenly lavender bath foam that reminds me of Provence.
Friday, 7 October 2011
FRIDAY BOOK REVIEW - Clara Button and the Magical Hat Day by Amy de la Haye and Emily Sutton
I’ve got lots of happy memories of the Victoria and Albert Museum in South Kensington – from interviewing the Oscar-winning screenwriter Colin Welland on the front steps (see below) to visiting a Kaffe Fassett exhibition with my great aunt and watching her inspect the back of every tapestry to check how neat the stitching was.
I wasn’t planning to include children’s books in my regular Friday Book Review feature but first I discovered it’s Children’s Book Week (till October 9) and then the delightful Clara Button and the Magical Hat Day thumped on to the door mat.
The first children’s book to be published by the V&A, it’s a delight from start to finish. Charmingly illustrated by Emily Sutton and written by London College of Fashion professor Amy de la Haye, it’s the story of a little girl called Clara Button. Clara loves drawing, making things and dressing up while her big brother Ollie is more interested in skateboarding and other action boy pursuits. When a precious hat that once belonged to their granny gets torn their mother takes them to the V&A to find out how to mend it.
The pictures of some of the delights on view at the V&A – including the famous sky-high Vivienne Westwood shoes that Naomi Campbell toppled off on the catwalk – made me want to hop on the bus and revisit the museum straight away.
Best of all, the book subtly makes it clear that there’s something for everyone at the V&A. While Clara is entranced by the hats and thinks the museum looks like a palace, the more sceptical Ollie is mesmerised by hunting swords used in battle and Tipu’s Tiger, a mechanical toy made in India in 1793 which shows a tiger attacking a life-size wooden soldier.
Clara Button and the Magical Hat Day by Amy de la Haye and Emily Sutton (V&A Publishing, £10.99)
Labels:
Books,
Colin Welland,
Friday book review,
V and A,
Vivienne Westwood
Thursday, 6 October 2011
Empty nests and the lovely new Kate Spade shop
My lovely teenage daughter’s just started her second year at university so I should be used to her being away by now.
Except I’m not. In fact I’m missing her even more this year. Why? Because she’s moved off campus, rented her own flat in gritty east London with friends and doesn’t come home much. Last year she’d hop on the Oxford Tube bus home every few weeks, but now she’s got her own place she’s busy with academic stuff all week and working in a trendy Shoreditch bar all weekend. She’s learned to make cocktails like Mojitos and Caipirinhas (eeek!), says the bouncers are lovely and hoik tricky customers out in a flash and adores working in a place that plays her favourite music till dawn.
But yesterday we went to a screening of the forthcoming film We Need To Talk About Kevin (she thought it was incredible, I found it so disturbing I could hardly bear to watch) so we had a few precious hours together. We had supper at Carluccio’s, wandered round Covent Garden and popped into the new Kate Spade shop in Langley Court. The prices are on the eye-watering side but it’s one of the loveliest shops in London. The staff were delightful, the bags gorgeous and the entrance (above) so stunning I want to move in and use it as my study. They’re planning a bloggers’ event soon so I’m keeping my fingers firmly crossed that I’ll get an invite!
PS: I’ve been a fan of Liberty London Girl since she started blogging about her very glamorous sounding life in Manhattan five years ago. Now she’s back in London, I’m still gripped by her daily blogs, which range from the glitziest shows at London Fashion Week to helping her mother move house in the wilds of Northamptonshire. This week I turned on the radio on to hear her being interviewed by Lauren Laverne on BBC 6 Music. She highlighted the fact that whether she’s writing about fashion or food, travel or dog-walking, she blogs about “things that interest me day to day” – a great message for all of us bloggers. She also had a raft of advice on the art of blogging, which I’ve pinned up on my screen.
1. Follow your passion, be authentic and stay true to yourself.
2. The words are crucial but make sure your blog looks good too.
3. Don’t be swayed by free gifts or trips. Learn to say “no.”
PPS: “It’s Saturday. It’s five past nine. It’s Rise and Shine!” If you’re looking for a book for a nine to 13 year old who loves The X Factor they might like my children’s novel, The Rise and Shine Saturday Show. It’s now available to download on Kindle for £1.09 and is the tale of five young singers competing to win a star-spotting competition.
Labels:
empty nest syndrome,
Kate Spade,
Liberty London Girl
Tuesday, 4 October 2011
The house that wasn't called anything at all
As the tyres of our rented car crunched up the pot-holed track I took one look and gasped in horror. I hadn’t expected to fall in love at first sight but the tumbledown farmhouse ahead of us was a bit of a shock. The place looked more like Alcatraz, California’s infamous jail, than the blurred black and white photograph on the estate agent’s particulars. It had an intimidating wire fence, a trio of satellite dishes stuck wonkily to the front and a barn with no roof tacked on the side. Most daunting of all, a scary-looking Alsatian prowled the perimeter, making me want to turn and head straight back down the track.
At the top of the drive we braked beside a pair of massive green wooden gates (above) and got out of the car. Glancing up at the side of the house, I groaned inwardly again. Ancient battered shutters dangled off their hinges at the first-floor windows and a maze of electrical wiring ran across the wall like strands of spaghetti. The garden was full of weeds and for some reason a couple of rusting car doors had been propped against the fence.
Suddenly I became aware of several pairs of eyes scrutinising me carefully. It was clear the owners were trying to gauge my reaction. But even if my French had been fluent, and it certainly wasn’t, I couldn’t have found the words to express my dismay. The long and the short of it was that the place was a wreck.
I’d first begun thinking about buying a bolt-hole in France just a few months after my mother died. The following year, still grieving and muddling through the days, I decided it was time I did something bold and life-changing. My mother had left me some money and, drawn by the idea of living by the sea, I hit on the idea of buying a two-up two-down in St Ives. We’d had a few family holidays there and I loved the thought of my children learning to surf while I wandered around the Tate St Ives gallery and lunched at the Porthminster Cafe. My husband wasn’t at all impressed. “Why don’t you do something more adventurous?” he said. “Like buy a bolt-hole in France?”
So that’s what I did... and five years on, after a lot of hard work by our fantastic building team, I'm so glad.
PS: “Why’s your blog called House With No Name?” the novelist Anita Burgh asked me at a writers' lunch in Oxford today. Good question - so for the benefit of new readers here’s why. When I first heard about the house I immediately asked what it was called, thinking that if it had a pretty name like La Villa Les Lavandes or La Maison des Roses it would be a sign I should buy it. Totally ridiculous I know, especially when I learned that the house wasn’t called anything at all. “So how does the postman know where to deliver the mail?” I asked. The estate agent shrugged his shoulders. “I don’t know,” he said. “He just does.”
Monday, 3 October 2011
The art of writing a novel - Penny Vincenzi at the Henley Literary Festival
After snapping up tickets for loads of literary festivals in quick succession, I’d resolved not to blog about them for a while. But then I went to a talk by Penny Vincenzi at the Henley Literary Festival and she came up with such good advice for would-be novelists that I’m reneging on my promise.
Vincenzi is a big hitter in the novel-writing stakes. A former journalist who cut her writing teeth on the Daily Mirror (her great mentor was the legendary agony aunt and columnist Marje Proops), she writes massive tomes about love and loss, hope and despair. Her first novel, Old Sins, was published in 1989 and since then she has written 14 cracking bestsellers and sold more than seven million books. Whether she’s writing about the aftermath of a terrible motorway pile-up, as she did in The Best of Times, or about a child caught in the middle of a harrowing divorce, as she does in her latest, The Decision, her books are heartrending (they often make me cry) and utterly compelling.
A tiny figure with hair cut in a chic blonde bob and wearing an elegant cream jacket, Vincenzi charmed the audience who’d assembled in the echoey hall at Henley Town Hall on Saturday.
The Decision runs to 757 pages and took her 18 months to write, but she admitted that it had originally been 70,000 words longer. “I write too much and I talk too much – it’s all the same thing,” she said self-deprecatingly. Down-to-earth and highly disciplined, she works at her desk – either at her home in Wimbledon or her cottage on the Gower Peninsula – seven days a week and writes from nine in the morning till three in the afternoon. After lunch and perhaps some additional research, she returns to her laptop and doesn’t break off again till The Archers starts on Radio 4. When she finally gets to the end of a novel she pours herself a very large whisky – “whatever time it is” – even though she never drinks whisky at any other time.
The best bit of the talk came when interviewer Philippa Kennedy asked what advice she’d give to budding novelists. Quick as a flash, Vincenzi offered the following three suggestions:
1. “Characters are all. If you get your characters right they will sort out the plot.”
2. "Every book has an Act Three, a turning point when something happens that means nothing can ever be the same again.”
3. "The monster in the cupboard” - a secret that the readers are in on but the characters have no idea about – until, of course, the monster springs out of the cupboard, often with devastating repercussions.
PS: Vincenzi doesn’t read other people’s novels when she’s immersed in writing but her favourites are Maeve Binchy, Jilly Cooper, Joanna Trollope, PD James, Ruth Rendell and Galsworthy’s The Forsyte Saga. The book she first read as a teenager (and which inspired her to write) was Margaret Mitchell’s Gone With the Wind.
The Decision by Penny Vincenzi (Headline Review, £19.99)
Labels:
Books,
Henley Literary Festival,
Penny Vicenzi
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