Saturday, 19 November 2011

House With No Name Weekly Digest: From the John Lewis Christmas ad to Anya Hindmarch and the art of the apostrophe


Every Saturday the House With No Name blog features a round-up of the week’s highlights.

The picture above shows the gorgeous Christmas lights that hover like mysterious planets over St Christopher’s Place in the heart of London’s West End.

While I was in the vicinity I couldn’t resist popping into H&M to see the much talked-about new Versace collection. There wasn’t a lot left in the Regent Street branch but what a disappointment. There were shocking pink patent bags, silver belts and a scary pair of palm print leggings that even Elle Macpherson would be hard-pressed to look good in.

House With No Name on grammar: Anya Hindmarch and the art of the apostrophe
House With No Name on the week’s most uplifting story: The journalist and the Afghan teenager
House With No Name on the John Lewis ad: I cry at anything, but this leaves me cold
House With No Name Book Review: India Knight’s Comfort and Joy
House With No Name Children’s Books: My obsession with Enid Blyton's Malory Towers stories

PS: Nineteen days into the National Blog Posting Month challenge and I’m nearly two-thirds of the way through!

Friday, 18 November 2011

Friday book review - Comfort and Joy by India Knight


I’m a huge fan of India Knight. She’s wise, fun and talks more sense in her Sunday Times column than most other journalists put together. In short, she sounds like the sort of best friend we’d all like to have.

If that wasn’t enough, I opened the December issue of Red magazine to find that her house boasts joyous pink walls (she says they’re “really cheering on a January morning”), huge amounts of clutter and an amazing personalised mural drawn by artist Charlotte Mann with black marker pen. She likes “books, colour and over-decoration” and, asked what she’d save in a fire, reckons she wouldn’t save anything, apart from people and her laptop. “I don’t think it would really make much difference if you had your favourite teapot or cushion,” she says. “You’d just have to start again.”

It’s for all those reasons that I knew I’d love her Christmas novel, Comfort and Joy. Out in paperback this month, it perfectly captures the chaos of a family Christmas. Knight admits that the book is “fairly autobiographical,” with lots of “mashed-up memories and experiences,” but I reckon it’s all the better for that.

Comfort and Joy is the story of a modern family Christmas hosted by mother-of-three Clara Dunphy over three consecutive festive seasons. Like most women I know, Clara is determined to make Christmas special. As she says, “I want it to be so lovely, so redemptive, so right. There’s no point in doing it craply, is there?”

But even so, it’s a tricky feat to pull off when she’s got 16 guests turning up and is doing everything single-handed. Sitting round her London table each year are her ex-husband, her about to be ex-husband, three children, eccentric mother, two half-sisters, her non-PC mother-in-law and a host of well-behaved and not so well-behaved friends.

Knight is brilliant at blending laugh-out-loud humour with real insight into the stresses and strains of a family Christmas. You’ll love her third novel if you’re hosting Christmas at your place this year (though it might make you want to book a one-way ticket to the other side of the planet) – and even if you’re not.

Comfort and Joy by India Knight (Penguin, £7.99)

Thursday, 17 November 2011

The uplifting story of the journalist and the Afghan teenager


Few people, if any, have a good word to say about journalists these days. As the Leveson inquiry reveals shocking new details about deception, trickery and intrusion in our newspapers, it’s hardly surprising that us hacks are regarded as the lowest of the low.

Yet most journalists I've come across are honest, hard-working and dedicated to their profession. I don’t know anyone who’s hacked a phone or tricked someone into telling their story against their will. And in amongst the gloom, there are still examples of journalists who’ve gone that extra mile to make a real difference to people’s lives.

Jerome Starkey, the Afghanistan correspondent of The Times, is a case in point. I’ve seen his by-line loads of times but until I read his Times 2 feature yesterday I had no idea about the amazing role he has played in helping to transform the life of a young Afghan boy called Najib.

Starkey’s and Najib’s paths crossed in Helmand on August 20, 2009. Najib was cycling along an empty street with his younger brother Hamid on the back, when a rocket hit the road beside them. Starkey witnessed the attack but managed to scramble for cover. But Hamid died instantly and Najib was left badly injured.

As Starkey wrote in yesterday’s piece: “Neither of us knew it, but that rocket was to entwine our lives. It would propel Najib – the son of an illiterate cobbler – towards unimaginable opportunities that would change his life forever.”

Thanks to an American charity, Solace, Najib was eventually flown to the US, but doctors were unable to save the sight of one eye. When he returned to Afghanistan, he threw himself into his schoolwork, aided by an international charity that helps to get talented Afghan students to schools and universities in the US. He and Starkey stayed in touch and earlier this year Najib asked the journalist to help him study in the UK.

Thirty-year-old Starkey had no idea where to start but he agreed to email Anthony Wallersteiner, the headmaster of Stowe, his old school (above).

The long and the short of it is that after interviewing Najib on the phone, Dr Wallersteiner agreed to award him a sixth-form scholarship, covering the Buckinghamshire school’s £28,000 a year fees. Najib, now 17, moved to Stowe in September and by all accounts has settled in well.

Starkey is acting as his guardian and as he wrote at the end of his uplifting piece: “I could almost cry when I stop to think about how far he has come.”

Wednesday, 16 November 2011

Children's books, Jack Wills and a spelling mistake


I’m busy reviewing a batch of children’s books and can’t get over the fantastic array of titles. So far I’ve whizzed through a novel for teenagers about a missing girl, a gorgeous story by Anna Kemp and Sara Ogilvie called Rhinos Don’t Eat Pancakes and I’m now on to Jacqueline Wilson’s Sapphire Battersea.

When I was little I loved books like Richmal Crompton’s Just William and Noel Streatfeild’s Ballet Shoes. But Enid Blyton was my absolute favourite. I used to get two shillings and sixpence pocket money a week and every Saturday morning I’d wander down to the local book shop and buy a new Malory Towers or Famous Five story. Then I’d go home, curl up on my bed and read it from cover to cover.

Enid Blyton doesn’t get a good press these days. Some critics reckon her vocabulary is hopelessly limited while others accuse her of being elitist, racist and sexist.

Characters like the Famous Five’s prissy Anne and her liking for party frocks and dolls are a bit hard to take but there’s no doubt that Blyton could spin a great yarn. Her stories captured my imagination so much that I longed to be part of the Famous Five gang, to spend days swimming at a Dorset cove, taking a brown mongrel called Timmy for long walks and solving mysteries.

When I had a quick look at a Famous Five book recently what struck me most was the freedom children had in Blyton’s day. Julian, Dick, Anne and their tomboy cousin George are all aged between 11 and 13 but they dash out of the house after breakfast, land themselves in loads of scrapes and don’t come back till tea-time. They’re allowed to row out to Kirrin Island by themselves and camp there alone for two days. Two days! It sends me into a cold sweat just thinking about it.

PS. Thank you so much to everyone who commented on yesterday’s blog about the art of the apostrophe and students’ dodgy grasp of grammar. I didn’t even mention spelling, so I was shocked to get the new Jack Wills Christmas handbook in the post this morning and find two pages of greeting cards, diaries, notebooks and pens marked “stationary.” Ahem, Jack Wills, do you mean “stationery?”

PPS. Still on the subject of the Jack Wills catalogue, I did another double take when I spotted a gorgeous long black dress that would look divine on my daughter. She says Jack Wills, which markets itself as creating "fabulously British goods for the university crowd," is too preppy for her. But even if she liked it, there's no way she'd be tempted. Why? Because the Belford sequin dress costs a staggering £798. That's the cost of two or three months' rent for most students I know.

Tuesday, 15 November 2011

Anya Hindmarch and the art of the apostrophe

During my short-lived teaching career I was taken aback by my students' poor grasp of basic grammar. Many of them avoided capital letters like the plague, used commas instead of full-stops and as for semi-colons, well, forget it.

So maybe St Paul's School for Girls, one of the most successful schools in the country, is on to something with its decision to run traditional grammar lessons for pupils aged 11 to 14.

"You would think that we might be attracting pupils who already have a pretty strong command of English grammar given that we're very strong academically and that we expect a very high standard from the pupils that we test for admission," headmistress Clarissa Farr told the Daily Telegraph.

"However, the reality is that a lot of our students don't even have a basic command, as we would see it, of the rules of conventional grammar when they arrive."

I don't know what she'd think of the bag above. I'm a huge fan of Anya Hindmarch, who's a brilliant businesswoman and fantastic designer. But I nearly fell off my chair yesterday when I spotted this £165 Anya Hindmarch bag on the Net-a-Porter site.

I reckon that whoever came up with that slogan should sign up for a grammar lesson immediately. Urgent apostrophe classes needed.

Monday, 14 November 2011

The Chipping Norton Literary Festival, James Corden and bike helmets


A dynamic writer friend called Emily Carlisle is one of the organisers of a brand new literary event due to launch next year. The Chipping Norton Literary Festival takes place in April 2012 and promises to be a treat, packed with writing workshops, author talks, book swaps, readings, signings and debates.

Over the weekend I’ve been helping (in a minuscule way) with the website and as I worked I got to thinking about some of the very best literary talks I've been to over the years. Two instantly came to mind. One was the late Sir John Mortimer, the beloved creator of Rumpole, who spoke at the Kings Sutton Literary Festival in 2008. I’ll never forget my teenage son’s engrossed face as Sir John regaled the audience with memories of Laurence Olivier playing his dad in A Voyage Round My Father, tales of Harold Wilson’s jollity and the fact that QCs keep their silk stockings up by wearing suspender belts designed for outsized hospital matrons.

My other favourite was hearing Martin Amis at the Oxford Literary Festival last year. He was interviewed by the poet and critic Craig Raine (who as a postgraduate student taught Amis at Oxford). I loved the way Raine dumped his bag on the floor, unravelled his scarf and then admitted cheerily to the audience that the pair had rehearsed “very little, if at all.”

But the friends’ hour-long conversation was enthralling. They covered everything from Amis’s view that for women, “having it all suddenly became doing it all” to his realisation that age is “very comic and tremendously humiliating.”

The most fascinating part of the discussion came when Amis spoke about his early novels. He said his writing style had “changed unrecognisably” and that he’d been “aghast” when he’d recently re-read three or four pages of his first novel, The Rachel Papers. “A first novel is about energy and originality,” he said, “but to me now it looks so crude. I don’t mean bad language – it’s so clumsily put together. The sense of decorum, the slowing a sentence down, the scrupulousness I feel I have acquired, aren’t there. As you get older, your craft, the knack of knowing what goes where, what goes when, is much more acute.”

I’m sure the Chipping Norton events will be just as illuminating. If you’re keen to hear the likes of Joanna Trollope, Sir Andrew Motion, Susan Hill, Jill Mansell, Katie Fforde and many more, you can sign up to the mailing list here.

PS: James Corden is one of the funniest men on the planet but my admiration for him soared today when I read an interview with him in the latest ES magazine. Asked what he would do if he was Mayor of London for the day, he replied: “Make sure that Boris bikes came with helmets. It’s terrifying that they don’t.” I’ve been thinking the same since the cycle hire scheme began. We urge everyone to wear helmets when they’re riding their own bikes, so why not when they ride Boris’s?
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