Wednesday, 23 May 2012

Download Olympic Flames for free!

The crowd roared with delight as the chestnut stallion soared gracefully through the air. The fence was more than one and a half metres high, but the rider and horse made the jump look effortless. When the duo touched the ground on the other side, there was a swell of applause from the spectators packed into the stand. The rider, resplendent in a navy blue show jacket and skin-tight white breeches, ignored it all, set on taking the next thirteen jumps with similar ease.

Jack Stone’s jaw tensed as he watched. Stylish, brave and fast - this was a competitor he was going to have to go hell for leather to beat.

Up until now, he’d reckoned he stood a good chance of a gold medal. After all, the American showjumping team had won the last two Olympic titles. Not only that, they had left nothing to chance in their preparations for London 2012. They had been training in the US for months on end, and had only flown into London a week ago. But watching riders of this quality made him uneasy. Only for a second, though – Jack wasn’t the type to be racked by self-doubt. But even so, he felt a flicker of irritation that when it came to technique and speed, the European teams so often had the edge.

These are the opening paragraphs of my new ebook, Olympic Flames. If you’d like to read more you can download the novella for free on Amazon on May 23 and 24. I’d love to know what you think!

Tuesday, 22 May 2012

The UK's favourite books - but are they yours?

I nearly fell off my chair when I read this morning’s report in Stylist magazine about the UK’s favourite books. My friend Constance clearly did too. “If The Da Vinci Code is really one of the UK’s best-loved books then I’m emigrating,” she tweeted. Her reaction reminded me of Salman Rushdie, who in 2005 described it as "a novel so bad that it gives bad novels a bad name."

But sure enough, Dan Brown’s cryptic thriller was top of the list, followed by The Lion, The Witch and The Wardrobe by CS Lewis, 1984 by George Orwell, Great Expectations by Charles Dickens and then JRR Tolkein’s The Fellowship of the Ring.

Following hot on their heels came another classic from Tolkein, The Hobbit, then The Wind in the Willows by Kenneth Grahame, The Hitchhiker’s Guide to the Galaxy by Douglas Adams, Charotte Brontë’s Jane Eyre and in tenth place, To Kill a Mockingbird by Harper Lee.

Well, I don’t know about anyone else, but apart from Jane Eyre, none of the others would make my top ten. Off the top of my head, I started compiling my favourite books. Let me know your most-loved novels, but here's my current list:

1. Jane Eyre by Charlotte Brontë
2. North and South by Elizabeth Gaskell
3. Germinal by Emile Zola
4. Pride and Prejudice by Jane Austen
5. Of Mice and Men by John Steinbeck
6. A Kind of Loving by Stan Barstow
7. How I Live Now by Meg Rosoff
8. I Capture the Castle by Dodie Smith
9. Burnt Shadows by Kamila Shamsie
10. Brooklyn by Colm Tóibín

PS. The survey, carried out by eye health supplement company ICaps, polled more than 1,000 adults across the UK.

Monday, 21 May 2012

Where I discover I'm not as vain as I thought

From bulk orders of REN's Hydra-Calm Global Protection Day Cream to eyebrow shaping, I’m as vain as the next person. Or so I thought. Until I read about the new FaceTime facelift.

Apparently Skype phone calls and video networking have made us all hyper-critical of the way we look onscreen. As you’re chatting away you suddenly notice the alarming new wrinkles round your eyes and your jowly chin. I hate looking at myself onscreen so much that I slnk lower and lower in my chair or lie through my teeth and pretend I can’t get the video to work.

But amazingly, an American plastic surgeon called Robert Sigal has devised a cosmetic procedure to make people look younger when they’re video-calling. After loads of patients told him they loathe the way they look on video he’s developed a technique that involves making incisions in the creases around the ears and “repositioning” (sounds painful) the muscle bands in the neck. Most of his clients are women aged 45 to 55 – all prepared to pay a cool $10,000 to have it done.

Like most US trends it’s sure to pop up on this side of the Atlantic some time soon. But I’ve got a cheaper and far less alarming suggestion.  Use the landline…

Saturday, 19 May 2012

Spirit of Summer Fair - the place for teabags and deckchairs

A stylish T-shirt from Me & Em, a couple of pretty notebooks and some heavenly green teabags from Teapigs. My daughter’s been working at the  Spirit of Summer Fair at London's Olympia this week and when I popped in to see her en route to the RNA awards I swore I wouldn’t buy anything. But the stalls were so enticing that within the first five minutes I’d snapped up all the items above. My only excuse was that apart from the teabags, everything I bought was a birthday present.

The best discovery was a gorgeous company called Thornback & Peel, who sell the prettiest table linen, cushions, stationery and even deckchairs – all covered in quirky screen prints, like the 19th century wood engravings of pigeons and jellies in the picture above.

The company was started by florist Juliet Thornback and theatre designer Delia Peel and their work is inspired by an eclectic mix of Victoriana, Mrs Beeton's household management, Mr McGregor’s garden, 17th century microscope imagery of the natural world, Norfolk and Devon. See, I said the designs were quirky.

If you like the look of Thornback & Peel's designs, they’re opening a Jubilee pop up shop in London later this month. Open from May 29 to 31 at 7 Rugby Street, Bloomsbury, they’ll be giving away a free Union flag handkerchief with every purchase. I might see you there…

Friday, 18 May 2012

Jane Lovering wins Romantic Novel of the Year award

Glamour, champagne, pink balloons and sky-high heels – all the hallmarks of a fabulous Romantic Novelists’ Association party were firmly in evidence last night.

I was lucky enough to be invited to the RNA’s summer bash in London, where Sky News presenter Kay Burley was on hand to present the prestigious Romantic Novel of the Year award.

Kay, whose second book, Betrayal, is out next week, wore a chic, sleeveless dress and confessed that she was still learning her craft as a novelist. “Romance is so difficult to write,” she said, “especially if you have a teenage son who is embarrassed at everything you do.” She added that romantic fiction is one of the biggest-selling genres today and the minute she got home she was going to get all five shortlisted romantic novels on her Kindle. “It’s no surprise my name isn’t on the shortlist,” she quipped. “But there’s always next year.”

Kay whizzed through the five contenders – Christina Courtenay, Katie Fforde, Caroline Green, Jane Lovering and Rosie Thomas - at top speed and then declared the winner. It was debut author Jane Lovering, for Please Don’t Stop the Music. I reviewed Jane’s novel a week or so ago and it’s a pacy, snappily-written novel that boasts some great laugh-out-loud moments and some dark moments too. I warmed to Jane immediately when she scooped RNA’s romantic comedy novel prize a couple of months back and declared: “It’s taken me 25 years of writing to publish a book. If I can do it, anybody can. So go for it, girls!”

But no one looked more stunned than Jane (above) last night when she was announced as the Romantic Novel of the Year winner and Kay Burley presented her with her prize – a large glass trophy.

“Oh my God,” said Jane shakily, her bright red hair gleaming under the lights. “Don’t give me a big glass bowl. Me and a big glass bowl aren’t a good idea. If anyone had told me ten years ago in the middle of single parenthood and small children that I was going to win this award I would have wet myself. Quite frankly I still might!’”

Last night was a double celebration for Jane, a mother of five who works part-time as a science technician at a North Yorkshire secondary school. It was her daughter’s 16th birthday the same day and she was there to see her mum’s fantastic win. She must have been SO proud…

PS. As well as the Romantic Novel of the Year award, the party also saw the presentation of the RNA’s annual prize for the best in new writing. This year’s Joan Hessayon New Writers’ Scheme Award went to Evonne Wareham for Never Coming Home.  

Please Don’t Stop the Music by Jane Lovering (Choc Lit, £7.99)
Never Coming Home by Evonne Wareham (Choc Lit, £7.99)

Wednesday, 16 May 2012

Novel writing - getting the dialogue right

As a journalist, I spend my days interviewing people and reporting what they say. Maybe I’m kidding myself but I reckon I’ve got a good ear for dialogue – and for an authentic-sounding quote.

But writing novels is far harder. For a start, you’ve invented the characters yourself (unless you’re writing a Hilary Mantel type tome, of course) - so you have to invent convincing dialogue for them too. And bearing in mind that we all speak completely differently, you have to invent different-sounding dialogue for every character, young and old. Joanna Trollope’s a brilliant writer but I always think her characters sound too alike when they speak.

I tried to bear all this in mind when I wrote my new novella, Olympic Flames – and having straight-talking, nearly grown-up children helped a lot. When one of my younger characters described a girl as being “a slip of a thing,” my daughter was on the phone in a trice. “I’ve asked all my flatmates and none of us know what on earth you mean,” she told me. The phrase “getting in a lather” met a similar fate. “No one uses that,” she said. “It should be ‘stressed out.’” And as for “playing gooseberry,” my son rolled his eyes in despair and instructed me to change it to “being a third wheel” – immediately.

So getting your characters’ language and tone right is crucial. But then again you don’t want to go too far and sound as though you’re trying to turn into a hip twenty-something. Not that I ever was a hip twenty-something, sadly.

Actually, all this talk about dialogue reminds me of my first novel, Hard Copy. It was set in the newspaper world, complete with tight deadlines, stressed-out (see, I’m learning) reporters and demanding bosses. One day my copy editor rang me. “There’s a slight problem with the language,” she said. My heart sank, thinking of the smattering of swear words I’d put into the novel to make the news room sound authentic. “Why, is it too bad?” I asked. “No, she laughed. “It’s not bad enough…”

Olympic Flames by Emma Lee-Potter (Endeavour Press, £1.99)
PS. With every room in the house bursting at the seams with books, I've just got a Kindle. I think it could change my life - or at least lead to a much tidier office!
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