The Lake District - a guide for Angelina Jolie, Brad Pitt and co

The British papers are reporting that Hollywood superstars Angelina Jolie and Brad Pitt have booked a holiday in the Lake District with their seven children.

Apparently they plan to take Maddox, 11, Pax, eight, Zahara, seven, Shiloh, six, and four-year-old twins Vivienne and Knox to a converted boathouse on the shores of Lake Windermere while Angelina shoots her new movie.

For a family used to jet-setting between glamorous homes in LA, Malibu, New Orleans and the south of France, the rugged, windswept Lakes might seem like an odd choice. But I reckon it’s inspired.

Why? Because there’s so much for children to do. Over the years my two have built rope swings across a stream in the Newlands Valley, cooked supper on camp fires, climbed Causey Pike and mountain biked in Whinlatter Forest. My son managed Catbells when he was five, a feat he was so proud of that he pleaded to climb Maiden Moor the very next day.

It admittedly rains a lot in the Lake District, but there are still loads of places to visit. There’s the Pencil Museum at Keswick, the Windermere Steamboat Museum (where you can see Beatrix Potter’s rowing boat and Captain Flint’s houseboat from the TV adaptation of Swallows and Amazons) and The World of Peter Rabbit, a museum at Ambleside that brings Beatrix Potter’s 23 tales stunningly to life – complete with sights, sounds and even smells.

Best of all, young (and old) fans of Beatrix Potter’s books can visit the real-life places that inspired her. If you gaze out across Derwentwater from the top of Catbells it’s hard not to be reminded of The Tale of Squirrel Nutkin, which is set there. And if you walk round the Newlands Valley there’s always the thought that Mrs Tiggy-Winkle might magically appear with her washing basket. Beatrix Potter was walking there when she met Lucie Carr, the local vicar’s daughter, and she later wrote The Tale of Mrs Tiggy-Winkle for the little girl.

So I hope the young Jolie-Pitts enjoy their Lake District adventure. Even if it rains (and it does rain a lot), they’ll have the time of their lives.

Interview with Eowyn Ivey - author of The Snow Child

“…a touching and truly exceptional portrayal of heartbreak and hope.” Those were my words in March, after I'd read Eowyn Ivey’s The Snow Child for the first time. Six months on, Eowyn’s debut novel is still one of the most memorable books I’ve read all year. It’s out in paperback in the UK today - and I was lucky enough to get the chance to interview her about it.

I understand you were named after a character in The Lord of the Rings. Did you read JRR Tolkein’s books as a child and what did you think of them?

Eowyn: I have to confess, I’ve never read The Lord of the Rings in its entirety. I tried several times when I was younger. After a chapter or two, I would lose interest, skip ahead until I found my name in the text and then put it down. Somehow I could never get past all the complexities of the world and battles. However, I did read The Hobbit when I was a child, and have read it several times since. It’s one of my favourite stories. I love the characters and the simplicity of the quest. It’s very endearing.

Did you enjoy writing as a child? And if so, what did you write?

Eowyn: I read a lot when I was a little girl. And occasionally I would get in a certain mood, often on a rainy, boring day, or when I was feeling thoughtful and melancholy, and I would write stories. I once wrote a story about a planet inhabited by talking cats, and another about a little boy who disappears into the reflection in a puddle. In high school, English literature and writing classes were my favourites and I realised I wanted to find a way to earn a living with words. But never did I imagine I would someday have a career as a novelist.

You have worked as a journalist and a bookseller. What impact did these jobs have on you as a writer?

Eowyn: I would like to think they helped shape me both as a reader and a writer. As a newspaper journalist, I often wrote 10 or 12 articles in a week. I strove for clarity and conciseness and making each word do as much work as possible. I worked with editors and did a lot of editing myself, which is tremendously useful in learning the basics of the English language. But the downside is that the job was demanding, and I had no energy or time for writing fiction. My work at Fireside Books has been the opposite – it’s a source of inspiration and creative rejuvenation. I’m surrounded by books and ideas and people who love both. As a bookseller, I’m constantly discovering new books and authors and seeing how people have broken the very rules I spent years learning as a journalist.

Could you tell me about how and where you found the inspiration for The Snow Child. Was the book straightforward to write and how long did it take you?

This is a perfect example of how Fireside Books has been quite literally a source for my inspiration. Several years ago I was working an evening shift when I discovered a little paperback children’s book that retold the Snegurochka fairy tale. I had never come across the story before, and I quickly read it standing there among the shelves. It was an incredible experience – I just knew this was the storyline I had been seeking. For nearly five years I had been working on a different novel, and I abandoned it to begin The Snow Child. In less than a year, I had a first draft. I felt inspired in a way I had never been before as a writer. As quickly as it came, though, I never knew exactly where the story was going until I wrote it.

The Alaskan landscape is beautifully portrayed in The Snow Child. What are the main characteristics of Alaska that you wanted to convey in the book?

Eowyn: I think like a lot of extreme locations, Alaska has become somewhat mythologised and romanticised. But what I love about this place is its complexity and contradictions, and that’s what I hoped to bring to the page. The northern wilderness is both awesome and delicate, beautiful and frightening.

The winter is so hard for Jack and Mabel, the two main characters. When you were growing up did you experience a similar sense of isolation during the winter months?

Eowyn: That was one aspect of writing The Snow Child that I really enjoyed as a writer – the challenge of seeing Alaska through eyes so different than my own. I have always loved the extremes here, the wind and snow and dark of winter, the lush green and midnight sun of the summer. And there is a sense of loneliness and isolation, but for me that has always made the camaraderie of neighbours and friends somehow all the sweeter. As a child, I found it exciting, and I still do. But I have always wondered what it would be like to come here for the first time as an adult and to not immediately love it. That’s what I had to imagine as I told Jack and Mabel’s story.

Do you live in a remote part of Alaska now and is it in any way similar to Jack and Mabel’s homestead?

Eowyn: Like a lot of Alaskans, we straddle two worlds. We live along the road system, so can drive easily to Anchorage and all its urban opportunities. We live near a small town, where we work, shop for groceries, go to the movies. But our home is in a relatively rural area, and we share some similarities with Jack and Mabel – we hunt moose, caribou and bear for meat, raise a vegetable garden and chickens, fill our freezer with salmon and heat our home with a wood-burning stove. There is an independent spirit here, and a lot of us strive for a certain amount of self-sufficiency.

Where do you write now?

Eowyn: Wherever I can find a quiet spot in my home. Right now I’m at a little sewing table in my bedroom where I can look out our back window toward Castle Mountain. Usually I am easily irritated and distracted by noises, like my daughters arguing or my husband talking on the telephone, so I’ll sometimes even put in earplugs. Then, once I’m particularly engaged with a project, I can write standing at our kitchen counter with the radio blaring, the phone ringing, and everyone talking at once and it doesn’t faze me.

Are you working on your second novel? Is it set in Alaska and can you give any hints as to what it is about?

Eowyn: Thank you for asking! I am working on another novel, although it is still early in the process. It will share some similarities with The Snow Child – set in historical Alaska with some mythological, magical elements. But I also want to continue to stretch my wings as a writer, to break some of those rules I learned, and try something new. I’m having a lot of fun.

Thank you so much to Eowyn for a fascinating and illuminating interview - and to Sam Eades at Headline for organising it. And for those of you about to read The Snow Child, trust me, you are in for a treat.

The Snow Child by Eowyn Ivey (Headline Review, £7.99)

Shadow Dancer - an outstanding film

“If you want something done, ask a busy person to do it. The more things you do, the more you can do.”

Lucille Ball’s famous quote has always been one of my favourites – and it's certainly true in Tom Bradby’s case.

Bradby is now political editor of ITN News but as well as his day job he’s also carved out a successful career as a thriller writer. And along the way, he’s found time (how?) to write the screenplay for his first novel, Shadow Dancer.

Shadow Dancer opened in the UK last week – and is one of the best films I’ve seen in ages. Set in Belfast in the early 1990s, it’s the story of Colette McVeigh, a young IRA woman who is offered a stark choice. She can either agree to work as an MI5 informer or go to prison for the rest of her life and see her young son taken into care. The trouble is, if she decides to betray her family and comrades, she’s pretty sure she’ll be dead in no time.

Bradby has said that writing the script for Shadow Dancer combined the skills he has learned as a novelist (structure and characterisation) and as a TV reporter (brevity, fluency and writing as people speak) – and he’s done a superb job. The film is taut, tense and beautifully shot. It also gives a compelling insight into the deeply divided world of pre-peace process Belfast.

Directed by James Marsh (whose Man on Wire won an Oscar in 2009), the film features some stand-out acting. As Colette, the luminous Andrea Riseborough is by turns anxious, protective parent and steely Republican, while Brid Brennan, who plays her sad, careworn mother, gives a performance that breaks your heart. Clive Owen, as Colette’s MI5 handler, is slightly marginalised, but even so, he’s as watchable as ever.

PS. As well as writing the script, Tom Bradby appears in the film as a news reporter covering the troubles in Northern Ireland. It’s a neat twist, as Brady was a young reporter there in the 1990s.

Shadow Dancer, certificate 15, is showing in UK cinemas now.

What should freshers take to university?

Like thousands of other teenagers, my son is counting the days till he starts university. He’s bought the Freshers' Week wristband (it gets him into every Freshers' event – alarming for me, thrilling for him), has worked out which student block he’ll be in and has “met” most of his new flatmates on Facebook.

But what should he take with him? I mean, apart from the obvious things like his beloved road bike, tea bags and industrial-sized packets of pasta. His list comprises essentials like a bike pump, puncture repair kit and iPod dock, while I’m more worried about how many saucepans he'll need and whether he should buy a mini fridge for his room.

A blog I’ve just read has got a host of other ideas. Key recommendations include a cake tin (because “everyone loves cake”), a laundry bag (he’s not convinced), a clothes horse (he’s definitely not convinced) and a sewing kit.

If anyone can offer any suggestions, I’d love to hear them…

PS. He’s off in three weeks’ time and even though I’ll be bereft I’m not going to cry. And I’m not going to be the sort of parent (apparently increasingly common) who muscles in on his university life. Apparently parents have been known to move into their children’s student halls, bedding down next to them while they settle in. I just hope they don’t snap up a Freshers' Week wristband while they’re at it.

Friday book review - Monday to Friday Man by Alice Peterson

Alice Peterson must have been stunned when her sweet romantic novel about a group of dog walkers soared to the top of the Kindle charts in the UK this week. And she was probably even more flabbergasted to learn that her book, Monday to Friday Man, had knocked the third instalment of Fifty Shades of Grey into second place.

I was so intrigued by her feat (echoes of David and Goliath) that I immediately downloaded Monday to Friday Man to my Kindle. It’s available in book form, but the e-book is currently selling on Amazon for 20p.

Monday to Friday Man is Peterson’s third novel and tells the story of 30-something Gilly Brown, whose fiancé jilts her two weeks before their wedding. Devastated by his rejection and struggling to make ends meet, Gilly fleetingly considers moving to the wilds of Dorset, then hits on the idea of renting out her spare room during the week. It works a treat when the glamorous Jack Baker turns up on her doorstep.

Jack is a hotshot TV producer working on an X Factor-type show called Stargazer and most of Gilly’s friends think he’s a real catch. Except, that is, her dog Ruskin, who is deeply suspicious, and the enigmatic Guy, the newest member of Gilly’s dog-walking group.

Peterson, whose promising career as a tennis player was ended by rheumatoid arthritis at 18, was inspired to write her book by Darcy, her beloved terrier. She walks him in London’s leafy Ravenscourt Park with friends – many of whom are name-checked in her acknowledgements.

If you’re after a literary tome, then Monday to Friday Man isn’t the book for you. But as an antidote to the torrent of erotic novels being published in the wake of Fifty Shades of Grey, it’s an easy and at times touching read. Even though the romantic storyline is predictable, Gilly’s fractured family background and childhood loss are moving and convincingly told.

Monday to Friday Man has sold more than 500,000 copies since the novel was published on July 21 and looks set to sell many more. Peterson will be hard pressed to match EL James’s 40 million global sales, but all the same, she’s doing pretty well…

Jilly Cooper's verdict on Fifty Shades of Grey

My children still haven’t got over the embarrassment of walking into my office last week and seeing my desk covered with erotic novels. From Jane Eyre Laid Bare to Eighty Days Yellow, they were piled up all over the place.

I was reading them for a newspaper review (really) but even so, my son and daughter shut the door hurriedly and scuttled off to laugh about it with their friends.

Scores of erotic novels have been published following the massive success of Fifty Shades of Grey (now the bestselling book of all time in the UK) and judging by the ones I’ve read they vary hugely in quality. Some are sassy and entertaining, while others are absurd and downright degrading to women.

But as I read through the torrent of erotica I kept thinking one thing - “actually, I’d far rather be reading a Jilly Cooper novel.”

I’ve been a fan of Jilly’s books since Emily was published in 1975 and have read every single one since. Her novels are full of sex too (though thankfully not so graphic as the ones I’ve been reading) but what sets them apart is that they’re also witty, funny, poignant and above all, well written.

I’d been wondering what Jilly Cooper would make of Fifty Shades of Grey and the rest – and now I know. Not a lot. In an interview with Stefanie Marsh in The Times today she describes Christian Grey (EL James’s lead character) as a “terrible, terribly silly man” and reckons “you would hate him in real life.”

She also stresses the importance of plot and characterisation in novels – whatever their genre. “…If you have a terrific plot and terrific characters,” she says, “it doesn’t really matter what they do, because you want to know what happens to them. You’re biting your nails to discover whether they do get into bed or they have a fight or they fall in love. I haven’t read any of the new genre of books but they don’t seem to have any proper characterisation, and what they do have is from books or screenplays written by other people. So it’s not writing in that sense, or even a reimagination of a text.”

Jilly adds that she’s a huge fan of writers like Shirley Conran, Jackie Collins, Penny Vincenzi and Barbara Taylor Bradford – because, like her, their key aim is to tell a good story.

She loves writing about horses, dogs, the countryside, laughter” and reckons that “for sex to really work in a book it has to be funny and it has to be loving.”

“There is always a massive amount of research that goes into writing a bonkbuster, “ she says, “and there’s less sex in it than you would imagine. My books are usually about one-50^th actual sex scenes, if that. But Christian Grey is at it most of the time, isn’t he?”