Thursday, 7 February 2013

Moving On, my second novel - out as an ebook TODAY


Moving On, my second novel, is published as an ebook today – and I’m over the moon. It’s the novel I’m most proud of so I’m hoping that new readers will enjoy it.

When the book was first published it had a lurid pink jacket with daisies scattered across the front but now publishers Piatkus Entice have given it a gorgeous mauve cover (I must say I rather covet the heroine’s green and black spotty shirt) and it looks far more stylish.

Like my first novel, Moving On is set in the world of newspapers. But this time round the main characters are two sisters, Kate and Laura Hollingberry. Their father, HH, is a mega-successful newspaper tycoon, but they know next to nothing about their mother, Clare, who walked out in mysterious circumstances when they were little.

The two girls are close but they’re poles apart in character. Laura is happy to get an undemanding job until she finds Mr Right, while Kate is fiercely ambitious and wants more out of life. Determined not to rely on her father's money or influence, Kate takes a job on the Bowland Bugle, a struggling weekly newspaper in the wilds of Lancashire. It's her first job and her first bid for independence. Anything can happen – and it certainly does.

Kate arrives in the north of England as a naive, inexperienced reporter (hmmm, shades of autobiography there), but is forced to grow up fast. Especially when she’s faced with a distraught couple whose teenage daughter has gone missing, a boss who seems hell-bent on tripping her up at every opportunity and a love affair that doesn't go according to plan. Meanwhile, back in London, Laura is facing her own heartbreak and the future of the family business is looking uncertain...

Moving On by Emma Lee-Potter (Piatkus, £3.99)

Saturday, 2 February 2013

Celia Birtwell teams up with Uniqlo


Celia Birtwell is one of the UK’s most talented textile designers. Her gorgeous prints were tailored and cut into romantic dresses in the  60s and 70s by Ossie Clark, her late ex-husband, and worn by the likes of Marianne Faithfull, Bianca Jagger and Pattie Boyd.

Not only that, she also became the long-term muse of David Hockney, whose Mr and Mrs Clark and Percy portrait is one of the Tate’s most famous paintings.

Now in her 70s, she’s still turning out stunning designs. When she created a fashion collection for Topshop six years ago it rapidly became their most successful designer collaboration. The clothes flew off the shelves in next to no time – in fact I remember Topshop staff having to limit the number of Celia Birtwell designs eachcustomers could buy. Then she designed a range for outdoor clothing store Millets (I immediately snapped up some wellies and a sleeping bag).

So it’s great news that Birtwell has now teamed up with Uniqlo. Her archive prints have been transformed into an exclusive range of T-shirts, vests, shirts, tote bags, scarves and much more and will be launched in Uniqlo stores from March 21.

Wow. I’m definitely going to be in the queue…

Friday, 1 February 2013

Friday Book Review - The Girl You Left Behind by Jojo Moyes


Reviewing a book by an author you’ve met in real life can be tricky. But actually, when the author is as talented as Jojo Moyes it’s not difficult at all.

Over the past year Jojo has become one of our most successful novelists. Me Before You, her tear-jerking story of a hotshot city financier who becomes wheelchair-bound after an accident, was one of the top five paperbacks of 2012 and has sold more than 500,000 copies in the UK so far. Her ninth novel, it’s now a New York Times bestseller and this week MGM acquired the film rights. Me Before You is an amazing book and if you haven’t yet read it, go and download it NOW.

As I wrote in my House With No Name review last year Jojo is one of those writers who surprises her readers with every novel. While lots of novelists play it safe and stick to familiar themes and subjects, she always chooses something different. To date she’s written about everything from brides crossing the world to meet their husbands after the Second World War (The Ship of Brides) to a businessman planning a controversial development in a sleepy Australian town (Silver Bay).

And her latest, The Girl You Left Behind, is different again. It’s the story of two women, unrelated and separated by 100 years, who are united in their determination to fight tooth and nail for what they love most. One is French artist’s wife Sophie Lefèvre, who is forced to make a terrible decision in the hope of being reunited with her beloved husband during the First World War. The other is young widow Liv Halston, who a century later finds that her future is inextricably linked with Sophie’s past.

There’s no doubt that Me Before You is a hard act to follow but Jojo has managed it with style and panache. The Girl You Left Behind isn’t quite as spellbinding as its predecessor but it’s still utterly compelling and the two stories are skillfully entwined and meticulously researched. At first I found Sophie’s story – her courage, pragmatism and determination to keep her family safe against all odds – far more gripping than Liv’s. But as the novel progressed Liv and the ex-NYPD cop she falls for completely won me over. I can’t wait to see what Jojo writes next.

The Girl You Left Behind by Jojo Moyes (Penguin, £7.99)

PS. Jojo Moyes is speaking at the Chipping Norton Literary Festival on Sunday April 21.  You can book tickets here.

Wednesday, 30 January 2013

Movie review - Hyde Park on Hudson


Hyde Park on Hudson was one of the movies on my must-see list when I whizzed up to London for a film preview day hosted by ShowFilmFirst.

Why? Firstly because it stars the brilliant Bill Murray as legendary US president Franklin D Roosevelt and secondly because the director is Roger Mitchell, of Notting Hill fame.

Most of the action focuses on the real-life visit by George VI and his wife Elizabeth to Hyde Park (Roosevelt’s summer residence on the banks of the Hudson River) in June 1939. With the storm clouds gathering over Europe and Britain preparing for war, the king was keen to ask for the president’s support.

The royals, however, are like fish out of water as they observe the comings and goings of the presidential household. Olivia Colman gives an impressive performance as Elizabeth, determined at all costs to keep a sense of decorum, worried that her husband is being laughed at and horrified that they will be expected to eat hot dogs during a picnic in the woods. Samuel West has the tough task of following in Colin Firth’s footsteps as George VI but manages it with aplomb (although every time he appeared on screen I couldn’t help thinking he looked exactly like Chancellor George Osborne).

The emotional heart of the film is Roosevelt’s relationship with his shy distant cousin Daisy, played by Laura Linney. Daisy is summoned to Hyde Park to keep Roosevelt company – and she quickly obliges. The pair begin a passionate affair, unperturbed by the numerous other women in the president’s complicated life – his wife Eleanor (Olivia Williams), his domineering mother (Elizabeth Wilson) and his assistant Missy (Elizabeth Marvel).

Hyde Park on Hudson is beautiful to look at and Bill Murray gives a fine performance as the charismatic, wheelchair-bound Roosevelt. But to my mind The Ink Spots’ I Don’t Want to Set the World on Firepart of the soundtrack, just about sums up this movie. What could have been a powerful film turns into one that is merely enjoyable - no more than that.

Hyde Park on Hudson (certificate 12A) is released in the UK on Friday February 1.



Tuesday, 29 January 2013

My favourite glossy magazine


Glossy magazines have always been a big part of my life. My mum started her career as a feature writer for Woman’s Mirror, a weekly magazine in the Sixties, and I can vividly remember the day she met me from primary school brandishing a tall retro coffee pot in her hand. She’d bought it with the proceeds of her first magazine commission and she was SO proud. So was I for that matter.

In the intervening years I’ve subscribed to scores of different magazines – from Vogue to Country Living – and even worked for a few myself. I love that exciting moment when they thump on to the doormat, usually a couple of days before you can buy them at the shops.

But in recent months I’ve cut the magazines I read down to two. I’m not sure why but I found that I was flicking through most of them and barely reading any articles. They all seemed a bit samey and dull.

There are two subscriptions I’ve hung on to though – for two magazines I reckon are head and shoulders above the rest. One is Grazia, the weekly magazine I’ve blogged about before, and the other is the utterly brilliant Red.

So what’s so great about Red? Well, for starters, it looks like a work of art. The photography is stunning and if I was a student I’d be half tempted to tear the fashion pages out and stick them on my walls. But more importantly, it’s full of stuff I actually want to read. Take the March issue. It’s got an At Home piece with novelist Maggie O’Farrell (I’m counting the days till her latest novel, Instructions for a Heatwave, is published on February 28), an interview with Noel Gallagher and a Q&A with the wonderful Tracey Thorn. The Everything But the Girl singer has just written a book about her life called Bedsit Disco Queen – my favourite book title of the year so far.

But as I flicked through the current issue’s 274 pages I was sad to see that the March issue is editor-in-chief Sam Baker’s last one. She’s leaving to write her next novel and have a go at being her own boss – which shows that she follows her own advice because Red is all about inspiring its readers and exhorting them to try new things.

So, from a loyal Oxford reader, all I can say is goodbye and good luck to Sam Baker. And thank you for all the amazing issues of Red you’ve published over the last six years.

Thursday, 24 January 2013

The best boulangerie


The woman at the front of the queue was in full and belligerent flow. I don’t know who she was talking to on her mobile but she was certainly giving them what-for, effing and blinding away and yelling that she f…... wasn’t going to be treated like that.

The weary-looking shop assistant (at a chemist's in a nearby town) had clearly seen it all before. She didn’t turn a hair, just waited for the woman to finish ranting, raised her eyebrows ever-so slightly and then slapped her change into her hand. The loud-mouthed customer grabbed her shopping and stomped out without saying a word to the assistant. No thank you. No nothing.

I haven’t blogged about France for ages but it suddenly struck me how different shopping on the other side of the Channel is. At my favourite boulangerie the lovely proprietor is so charming that her devoted regulars don’t mind how long they wait to be served. Her freshly-baked baguettes and tartes aux framboises are so delicious that the lunchtime queue snakes out of the shop and down the pavement - but no one bats an eyelid, let alone complains about the wait.

When we get to the counter she always greets us personally, compliments my children on their French and smiles as we fumble for the right number of euros. She packs everything into exquisitely-wrapped paper parcels, tells us a bit about her time working as a hotel receptionist in London and wouldn’t dream of letting us leave without a cheery “au revoir, bonne journée.”
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