JK Rowling at the Cheltenham Literature Festival

There can’t be many writers capable of filling the cavern-like auditorium at Cheltenham Racecourse – but JK Rowling is one of them.

All 2,000 seats for the Cheltenham Literature Festival event at the weekend had been snapped up in a trice, with people travelling from all over the world to hear their heroine speak. When interviewer James Runcie threw the session open to questions at the end several tearful young fans stood up and said “I love you,” while one woman told her: “I hope you know how many lives you have touched.” “Don’t make me cry,” said Rowling, clearly moved by her words.

Rowling was ostensibly there to promote The Casual Vacancy, her  first novel for adults, but she proved generous with her time and her willingness to answer questions about everything from her favourite The Casual Vacancy character (Fats) to her favourite overall character (Dumbledore).

A tiny, blonde figure in a chic, black jacket, matching trousers and high heels, she rushed to the side of the stage to accept a letter from one awestruck young girl, crouched down to talk to her for a couple of minutes and gave her a hug.

Along the way she revealed that the next book she publishes will be for children, that Lucy Shepherd, the teacher who taught her A level English, was in the audience that night and that taking part in the London 2012 Olympic opening ceremony was the “proudest moment” of her life.

“I was terrified, absolutely terrified,” she said. “Walking out on to the hillock at the Olympic ceremony was extraordinary. I think I will see it on my deathbed. It was breathtaking and I felt extraordinarily proud to be in it.

“When the huge Voldemort grew up out of the middle of the stage my entire body went cold and I thought ‘how the hell did this happen?’”

Asked about books she read as a teenager she mentioned Catcher in the Rye, To Kill a Mockingbird and Lord of the Flies, while she revealed that the character from children’s literature she most adored was Jo March from Little Women. One book she’d read recently and loved was the Orange prizewinning The Song of Achilles by Madeline Miller.

Asked which of her own books was her favourite she confessed to a three-way split. “I love The Casual Vacancy – it’s what I wanted it to be.” Her favourite Harry Potter title is Deathly Hallows and “then for obvious reasons, Philosopher’s Stone – which changed my life.”

She said she made up stories for her own children but “they are very much tailored to my children. I don’t think they will be appearing in book form.”

At one point she also spoke about her own battle with depression. James Runcie, who described The Casual Vacancy as “Hardy with heroin,” asked her if she would ever write a comedy.

“I think this book is comic in places but the humour gets a little dark,” she replied. “I do have a tendency to walk on the dark side sometimes. I have suffered from depression. I know how that feels and I probably have an innate inclination that way. Writing is necessary to me and does help with that.”

At the end of the evening the queue for JK Rowling to sign copies of The Casual Vacancy stretched down the stairs and right round the building. She’d agreed to sign one book per ticket holder and people stood patiently, clutching their copies of the book and waiting their turn. Goodness knows what time they all got home.

Debut novelist Madeline Miller wins 2012 Orange Prize

“A more than worthy winner – original, passionate, inventive and uplifting. Homer would be proud of her.”

Those were the words of Joanna Trollope, chair of the 2012 Orange Prize for Fiction judges, last night when she announced this year’s winner – Madeline Miller.

American writer and Latin teacher Miller won the £30,000 prize for The Song of Achilles, the debut novel she spent ten years working on. A captivating, lyrical book, it takes the legendary love affair of Achilles and his best friend Patroclus and brings it alive for a 21^st century audience. It’s a sparkling novel that, as Trollope remarked, will appeal to readers of all ages. And not only that, it undoubtedly fulfils the Orange Prize criteria of excellence, originality and accessibility.

When Trollope announced the six shortlisted novels for the award back in March, she referred to their “remarkable quality and variety.” I’ve read all of them now and she’s right. The judges apparently spent three hours deliberating on who should win and it was only at midnight on Monday that they finally came to their decision.

I loved Miller’s novel but if I’m honest I loved two of the other contenders more - The Forgotten Waltz by Anne Enright and State of Wonder by Ann Patchett. I first came across Enright’s book when it was Radio 4’s Book at Bedtime and her smooth, elegant prose stopped me in my tracks. The novel chronicles a love affair that wrecks two Dublin marriages and is a stunning read.

Meanwhile Patchett’s book is the compelling story of a doctor sent to the Amazonian jungle to investigate the death of a colleague. An intoxicating blend of cutting-edge science and the closely guarded secrets of the rainforest’s remotest tribes, it’s a magnificent read by a writer at the height of her powers.

It will be interesting to follow the next chapter in the award’s history. This is the final year of Orange’s sponsorship of the prize (co-founder Kate Mosse hopes to announce a new sponsor later this summer) so it will have a new name next year. But one thing’s for sure. If this year’s stellar shortlist is anything to go by, women writers are a force to be reckoned with right now.

The other three novels shortlisted for the Orange Prize were Painter of Silence by Georgina Harding, Half Blood Blues by Esi Edugyan and Foreign Bodies by Cynthia Ozick.

Orange Prize for Fiction 2012 shortlist announced at the London Book Fair

Two ultra-distinguished writers welcomed guests to the announcement of the 2012 Orange Prize shortlist at the London Book Fair yesterday morning. First up was Kate Mosse, author of the phenomenally successful Labyrinth and co-founder of the prize, who was wearing the grooviest black lace-up platform shoes I’ve seen in a long time. Then came Joanna Trollope, who’s written 17 bestselling novels and is this year’s chair of the Orange Prize judges, tall and elegant in a pink jacket and black jeans.

It was a rainy morning in Earl’s Court, with commuters queuing under dripping umbrellas to get into the book fair. But once we were inside the PEN literary café and sipping copious cups of coffee, the excitement about the shortlist was palpable.

Announcing this year’s shortlist, Trollope paid tribute to the judging panel of Lisa Appignanesi, Victoria Derbyshire, Natalie Haynes and Natasha Kaplinsky. She described the judging process as “very amicable” and noted the “incredible quality of submissions.” The Orange Prize celebrates excellence, originality and accessibility in women’s writing throughout the world, but she said that she would add another element this year – “distinction.”

“This is a shortlist of remarkable quality and variety,” she said. “It includes six distinctive voices and subjects, four nationalities and an age range of close on half a century. It is a privilege to present it. My only regret is that the rules of the prize don't permit a longer shortlist. However, I am confident that the fourteen novels we had to leave out will make their own well-deserved way.”

The six shortlisted books for the Orange Prize for Fiction, now in its 17^th year, are:

Half Blood Blues by Esi Edugyan

The Forgotten Waltz by Anne Enright

Painter of Silence by Georgina Harding

The Song of Achilles by Madeline Miller

Foreign Bodies by Cynthia Ozick

State of Wonder by Ann Patchett

This year’s shortlist includes both new and well-established authors, including debut novelist Madeline Miller (can she emulate last year’s winner, Téa Obreht, who won the prize with The Tiger’s Wife, her first novel) and previous winner Ann Patchett, who scooped the Orange Prize in 2002 with Bel Canto.

The award ceremony takes place in London on May 30, so to quote Trollope from yesterday: “Go forth and enjoy six perfectly astonishingly good books.” I’ve only read one of them so far, so I can’t wait to get cracking.

PS. If you have a flair for writing and dream of becoming a novelist, buy this week’s Grazia. The magazine has teamed up with the Orange Prize for Fiction to find a new star female writer. Rosamund Lupton, author of Sister and Afterwards, has written the opening paragraph of a new story called The Journey. All you have to do is complete the first chapter in 800 to 1,000 words…

An exciting new literary talent

“The Tiger’s Wife is an exceptional book and Téa Obreht is a truly exciting new talent. Obreht's powers of observation and her understanding of the world are remarkable. By skilfully spinning a series of magical tales she has managed to bring the tragedy of chronic Balkan conflict thumping into our front rooms with a bittersweet vivacity.”

That’s how historian Bettany Hughes, the chair of the 2011 Orange Prize judges, summed up her admiration for this year’s winner - Téa Obreht.

At 25, Obreht is not only the youngest-ever author to win the Orange Prize but she’s done it with her first novel. And if that isn’t enough, she only learned to speak and read English at the age of seven, when she moved from the former Yugoslavia, where she was born, to Egypt. She now lives in New York.

Deciding on the 2011 winner was clearly a tough call. As she announced the award at London’s Royal Festival Hall tonight (June 8), Bettany Hughes admitted that the judging panel had carried on debating the matter till the early hours of the morning.

I can completely understand their dilemma. When I reviewed the Orange shortlist for a newspaper piece last week I was hard-pressed to decide which of the six shortlisted novels I admired the most.

The Orange Prize was launched in 1996 to celebrate excellence, originality and accessibility in women’s writing around the world – and the six contenders certainly fulfilled those criteria. They all tackled gritty subjects - storylines ranged from abuse in care to the bloody civil war in Sierra Leone – but managed to be eminently readable at the same time.

The bookies’ favourite was Room, by Irish writer Emma Donoghue. It was shortlisted for the 2010 Man Booker Prize and in the run-up to the Orange Prize ceremony sold far more copies than the other contenders. But some readers. me included, found this heartrending story, loosely based on the horrific case of the Fritzl family, too much to bear.

The other books on the shortlist were Nicole Krauss’s Great House, Aminatta Forna’s The Memory of Love, Emma Henderson’s Grace Williams Says it Loud and Kathleen Winter’s Annabel. Remarkably, just like Obreht, Henderson and Winter are debut novelists.

The novel that stood out for me on this outstanding list, though, was the wonderfully-titled Grace Williams Says it Loud. The story of Grace, a severely physically and mentally disabled girl sent to live in a mental institute at the age of 11, Henderson’s book is brave, exuberant and utterly original.

But in the end the judges chose Téa Obreht, and there's no doubt that she is a fantastic new literary talent. Her book, set in the aftermath of the Balkan War, follows young doctor Natalia as she strives to unlock the mystery of her beloved grandfather’s death in mysterious circumstances far away from home and is a magical, distinctive tale. Do read it - and all the others too.