Katie Fforde, Jill Mansell, Veronica Henry and Fiona Walker at the Chipping Norton Literary Festival

Hail, sunshine, a myriad of the nation’s top authors and some delicious cakes – the inaugural Chipping Norton Literary Festival had all these things, and much, much more.

Held in one of Oxfordshire’s prettiest towns, this was one of the best literary festivals I’ve been to. Fun, inspiring, friendly, and superbly organised by Emily Carlisle (who only had the idea for the event last August) and her team. 

I booked for two events, one on Contemporary Women’s Fiction and the other on Discipline, Displacement and Dipsomania (great title), so I’m going to write about them both this week.

The Contemporary Women’s Fiction panel kicked off bright and early on Saturday morning and featured four of our bestselling novelists – Katie Fforde, Jill Mansell, Veronica Henry and Fiona Walker. They know each other well and for a riveting hour the conversation, chaired by writer Jane Wenham-Jones, flowed. The quartet, who have written more than 70 books between them, covered everything from how many words a day they turn out to where and when they write.

Jane began the discussion by asking the secret of their “phenomenal success.” “I have no idea,” said Jill candidly. “I love spending time with my characters because I love them and I think the readers love them as well. After all, if you’re reading a book and you don’t care about the characters why would you carry on reading the book?” Katie said she wouldn’t want to write about unpleasant characters – “life is quite tough and our books are like time off from real life.” Veronica revealed she writes “from the heart” and about the life “I want to lead,” while Fiona declared that “if I don’t have that desperate urge to get back to my imaginery characters, then why would anyone else?”

Next it was on to the thorny question of how they all write. Katie likes to start writing before anyone else is up and about and before the phone starts ringing. She also pointed out the importance of “thinking time” and said 2,000 words a day is her “absolute maximum.” But conversely, Jill Mansell said she “couldn’t begin to write first thing.” Unlike the others, she writes all her books by hand in fountain pen and her daughter types up her manuscripts for her. She writes in bed or sitting on the sofa with the TV on and does 1,000 words a day.

The whole audience sat up in astonishment when Fiona said she sometimes manages 5,000 words a day. One day she even wrote 10,000 (wow!) The reason is that she works “in binges.” She writes very long books and sets herself three or four months a year to write her first draft. She avoids the radio and TV and doesn’t like any distractions, apart from her two small children, who peer through the glass door of her office and come dashing in to talk to her. 

Meanwhile Veronica works in her north Devon dining room, looking out across the sea. She writes 1,000 to 2,000 words a day – “1,000 is satisfactory, 2,000 is fantastic,” she said. “But writers can be working all the time. You can be thinking about your characters as you walk round Sainsbury’s.”

It was fascinating to hear how they all began their writing careers – a question that elicited four very different answers. After working in a hospital for 18 years, Jill Mansell picked up a magazine and read an interview with a woman whose life had been transformed by writing a string of bestselling novels. She tried her hand at writing a Mills & Boon novel – “but they kept saying there wasn’t enough romance and too much humour.” She astutely decided to carry on in that vein and has now written 23 novels.

Katie took eight years to get published (now look at her - she's written 19 bestsellers and Summer of Love recently won this year’s Contemporary Romantic Novel award). Veronica began her career at The Archers before becoming a scriptwriter for TV series like Heartbeat and Holby City. And Fiona wrote her first novel straight out of university. She moved back home to her parents’ house in Berkshire, worked part-time in a saddlery and, when she’d finished her book, sent it to five agents. The agent who snapped her up sold her novel in three days.

Last of all, Jane Wenham-Jones asked them for their top tips for wannabe novelists.

Veronica Henry – “Get on with it – it’s no good just keeping it in your head.”

Fiona Walker – “Finish it. There are so many half-finished novels languishing in drawers.”

Jill Mansell – “Use a timeline – it works brilliantly for me. And I don’t write in chapters. It’s far easier to write your story and then look for the natural breaks afterwards.”

Katie Fforde – “Read a lot – and persevere. If you want something enough you’ll achieve it.”

It's London Marathon day

It’s the London Marathon today and crowds of brave runners are limbering up in the spring sunshine. In our house we all feel a bit sad not to be there. 

My husband’s competed in the race six times and the rest of us always pitch up to cheer him on from the sidelines. 

We start at Deptford, scoot across to Canary Wharf and then hop on the tube to watch him as he staggers to the finishing line in the Mall, usually (hopefully) in just under four hours. We shout ourselves hoarse for everyone – from the world’s elite athletes, running like gazelles and making 26 miles look like a piece of cake, to the thousands sweating it out at the back. While we scour the crowds looking for him, it’s fun to spot the runners dressed up as Tarzan or Elvis Presley or assorted fruit and vegetables.

It’s always such an inspiring day, with people running for a multitude of different reasons. Some run in memory of loved ones, others to achieve a lifetime’s goal. Virtually all of them do it to raise money for charity.

One year my husband ran the 26 miles in honour of my wonderful mum, so it was especially moving. He wore a T-shirt with her smiling face on the front and raised £7,500 for the NSPCC, her favourite charity, along the way. She would have been very proud.

But for the last couple of years he's sat it out, reckoning he hasn't done enough training to compete. So this morning he's set out on a seven-mile jog through Oxford with our teenage son. The trouble is, he looks a bit glum not to be waiting for the start at Blackheath. “I’m definitely doing it next year,” he says.

PS. Good to everyone running today!

Giant image of the Queen beamed across Buckingham Palace

The best-read blog I’ve ever written was about Face Britain, a stunning initiative that challenged children and teenagers across the UK to help create a giant image of the Queen.

Well, I thought I’d better bring the story up to date. On Thursday night, the artworks – more than 200,000 photographs, paintings, 3D images, graphic designs, you name it – were put together and beamed right across the front of Buckingham Palace. They formed two pictures of the Queen and covered the whole of the front façade. How cool is that?

If you want to see the image for yourself, you can see it tonight (Saturday, April 21), but if you can’t nip along to Buckingham Palace, here it is in its full glory.

Face Britain was launched by The Prince’s Foundation for Children & The Arts, an educational charity established by Prince Charles. The aim of the project was to celebrate the achievements of children and young people in the lead-up to the Queen’s Diamond Jubilee and the London 2012 Olympic and Paralympic Games.

Oh, and in the process the organisers are hoping that the giant portrait will set a new world record for “the most artists working on the same art installation.”

Later on, the self portraits are going to be stored “in perpetuity for the nation” by the British Library. But as well as the children’s artwork, loads of well-known names (including Adele, Michael Morpurgo, Jamie Oliver and Fearne Cotton) have donated their own self portraits and these will be auctioned on eBay from May 3 in support of the work of The Prince’s Foundation for Children & The Arts.

Friday book review - The Parisian's Return by Julia Stagg

Ever since I first set eyes on the House With No Name, I’ve been addicted to reading books about France. Recently, as well as re-reading Francois Sagan’s Bonjour Tristesse, I’ve whizzed through Je t’aime la Folie by Michael Wright and, of course, Karen Wheeler’s wonderful trilogy about hanging up her high heels and moving across the Channel.

And this week I’ve discovered another author who’s brilliant at bringing the intricacies of rural France to life. Julia Stagg lived in the mountainous Ariège-Pyrenees region for six years, where she ran a small auberge and “tried to convince the French that the British can cook.” Now based in the Yorkshire Dales, she’s written two novels about the inhabitants of a tiny French village – L’Auberge and The Parisian’s Return.

I’ve just read The Parisian’s Return and even though it’s set the opposite side of France to House With No Name country, it evokes the French way of life so vividly it made me want to hop on the Eurostar right away.

The character at the centre of Julia’s novel is Stephanie Morvan, a single mother who’s moved to the village of Fogas to make a new life for her and her daughter. She works at a local restaurant and dreams of launching her own organic gardening centre. But the whole community is thrown into turmoil when Fabian Servat, the tricky nephew of the couple who own the village grocery, returns from his hotshot job in Paris to take charge of the store. Worse still, Stephanie almost kills him twice in quick succession – once by braining him with a stale baguette and then by crashing into his bike on a lonely mountain road.

Charming, funny and authentic, the novel covers everything from inheritance law in France (complicated!) to wine (thanks to Julia I now know that if I ever come across a 1959 Bordeaux it’s worth a lot and I should sell it, not drink it). But the bits that resonated most were her wise words about the people who move to isolated villages in France to “get away from it all.” As she perceptively points out, the newcomers who make it work are the ones who keep their feet firmly on the ground, speak French and become friends with the locals.

“… those who eventually called this place home arrived with their eyes wide open and not a rose-tinted lens in sight,” she writes. “They appreciated the distinct seasons which made the mountains so beautiful to live in but sometimes so hard to live with. They understood the vagaries of the weather and the curses and blessings they bestowed. And they didn’t fight the pace of life, where there was no such thing as a quick hello, only a slow goodbye.”

The Parisian’s Return by Julia Stagg (Hodder, £7.99)

London 2012 - and a day out in Greenwich

With London 2012 less than 100 days away now, there’s a real buzz in the capital. After the Orange Prize shortlist breakfast on Tuesday I hared across east London to spend the day with my student daughter in Greenwich. When we hopped off the Docklands Light Railway train the very first thing we spotted was the newly restored Cutty Sark, which reopens next week after a £50 million transformation. The 143-year-old tea clipper, due to be unveiled by the Queen on April 25, has been lifted 11 feet off the ground and looks utterly breathtaking.

Then we walked through the rain-soaked streets to the Old Naval College and suddenly stumbled on an extraordinary scene.  Piled up behind a giant stone elephant was a massive and incongruous mound of old wood, furniture and sundry rubbish. It looked like an art installation by an up and coming Brit Artist but it turned out that we were in the middle of a  film set. When I asked a grumpy man in a fluorescent jacket he told me they were filming a scene from Les Miserables the following day.

Next it was on to Greenwich Park, where even more preparations were taking place. Not for a film this time, but for the London 2012 equestrian events. An area of the park, right next to the elegant stone façade of the National Maritime Museum, is being transformed into the arena where the show jumping and dressage events will be staged. Talk about a showstopper of a location. You can see Canary Wharf to the north and the historic Royal Observatory to the south. But then again, the 200 Olympic riders will probably have other things to concentrate on than the stupendous views.

Like thousands of others I applied for countless tickets for London 2012 (I really wanted to take my bike mad son to a cycling event) and got precisely none. So up until this week I felt distinctly underwhelmed about the Olympics. But after spending the day in east London and seeing the amazing transformation taking place, I’ve changed my mind. It’s exciting all right…

Orange Prize for Fiction 2012 shortlist announced at the London Book Fair

Two ultra-distinguished writers welcomed guests to the announcement of the 2012 Orange Prize shortlist at the London Book Fair yesterday morning. First up was Kate Mosse, author of the phenomenally successful Labyrinth and co-founder of the prize, who was wearing the grooviest black lace-up platform shoes I’ve seen in a long time. Then came Joanna Trollope, who’s written 17 bestselling novels and is this year’s chair of the Orange Prize judges, tall and elegant in a pink jacket and black jeans.

It was a rainy morning in Earl’s Court, with commuters queuing under dripping umbrellas to get into the book fair. But once we were inside the PEN literary café and sipping copious cups of coffee, the excitement about the shortlist was palpable.

Announcing this year’s shortlist, Trollope paid tribute to the judging panel of Lisa Appignanesi, Victoria Derbyshire, Natalie Haynes and Natasha Kaplinsky. She described the judging process as “very amicable” and noted the “incredible quality of submissions.” The Orange Prize celebrates excellence, originality and accessibility in women’s writing throughout the world, but she said that she would add another element this year – “distinction.”

“This is a shortlist of remarkable quality and variety,” she said. “It includes six distinctive voices and subjects, four nationalities and an age range of close on half a century. It is a privilege to present it. My only regret is that the rules of the prize don't permit a longer shortlist. However, I am confident that the fourteen novels we had to leave out will make their own well-deserved way.”

The six shortlisted books for the Orange Prize for Fiction, now in its 17^th year, are:

Half Blood Blues by Esi Edugyan

The Forgotten Waltz by Anne Enright

Painter of Silence by Georgina Harding

The Song of Achilles by Madeline Miller

Foreign Bodies by Cynthia Ozick

State of Wonder by Ann Patchett

This year’s shortlist includes both new and well-established authors, including debut novelist Madeline Miller (can she emulate last year’s winner, Téa Obreht, who won the prize with The Tiger’s Wife, her first novel) and previous winner Ann Patchett, who scooped the Orange Prize in 2002 with Bel Canto.

The award ceremony takes place in London on May 30, so to quote Trollope from yesterday: “Go forth and enjoy six perfectly astonishingly good books.” I’ve only read one of them so far, so I can’t wait to get cracking.

PS. If you have a flair for writing and dream of becoming a novelist, buy this week’s Grazia. The magazine has teamed up with the Orange Prize for Fiction to find a new star female writer. Rosamund Lupton, author of Sister and Afterwards, has written the opening paragraph of a new story called The Journey. All you have to do is complete the first chapter in 800 to 1,000 words…