Caitlin Moran and Jennifer Saunders - two of the funniest women in the country

A queue stretching right down the Euston Road, a packed theatre and two of the funniest women in the country in conversation on the stage.

Those were the ingredients for the latest recording of Chain Reaction, the BBC Radio 4 series where a well-known figure interviews someone they admire. They in turn choose someone else to interview – and so the baton gets passed down the line.

This week it was the turn of Times megastar columnist Caitlin Moran, who’d chosen to interview comedienne and Absolutely Fabulous creator Jennifer Saunders. Or as Moran put it, “I asked Jennifer Saunders out on a blind date on the radio and she said ‘yes.’”

The programme was recorded at London's Shaw Theatre and won’t be broadcast till August. But as the pair’s sparkling 75-minute conversation will be cut to 30 minutes, I thought I’d report some of my favourite bits. In fact wannabe journalists could learn a lot from the brilliant Moran in action as an interviewer. Far from sticking to safe, boring questions, the conversation ranged from whether Saunders considered herself a feminist (yes) to the last time she got drunk to the last time she called 999.

Actually, if any of her one-liners were anything to go by, Moran could probably earn a bob or two as a comedienne herself. When Saunders told her she’d spent the afternoon with her daughters and “we all had hair and nails,” Moran insouciantly inquired: “Why, didn’t you have any before?”

Along the way, Saunders revealed that she was a “forces kid” who moved house every two years. On arriving at a new school, “I’d have to learn to assimilate and not be noticed and be everyone’s friend.”  She and Dawn French started their comedy act for themselves and used to howl with laughter in the flat they shared.

Saunders, who’s married to comic Adrian Edmondson, is always surprised when people know who she is. When Moran asked “out of ten how famous are you?” Saunders thought she was about a seven. “I reckon you are more than a seven, love,” quipped Moran quick as a flash.

Oh, and just a few other things we learned along the way:

1. Saunders loves the film Bridesmaids – “they’re such strong comedy performers.”
2. No one ever calls her Jenny – she’s either Jen, Fer or Jennifer.
3. She thought she’d go on Twitter “for five minutes, for research,” – “and then I got hooked.”
4. She decided to write Viva Forever, the Spice Girls musical, because her three daughters loved the girl band when they were growing up. It opens in December and as she told Moran, “I really am quite pleased with it.”
5. She’s a self-confessed procrastinator.

 PS. This was the Hogwarts-type view of St Pancras from the queue outside the Shaw Theatre… 

Debut novelist Madeline Miller wins 2012 Orange Prize

“A more than worthy winner – original, passionate, inventive and uplifting. Homer would be proud of her.”

Those were the words of Joanna Trollope, chair of the 2012 Orange Prize for Fiction judges, last night when she announced this year’s winner – Madeline Miller.

American writer and Latin teacher Miller won the £30,000 prize for The Song of Achilles, the debut novel she spent ten years working on. A captivating, lyrical book, it takes the legendary love affair of Achilles and his best friend Patroclus and brings it alive for a 21^st century audience. It’s a sparkling novel that, as Trollope remarked, will appeal to readers of all ages. And not only that, it undoubtedly fulfils the Orange Prize criteria of excellence, originality and accessibility.

When Trollope announced the six shortlisted novels for the award back in March, she referred to their “remarkable quality and variety.” I’ve read all of them now and she’s right. The judges apparently spent three hours deliberating on who should win and it was only at midnight on Monday that they finally came to their decision.

I loved Miller’s novel but if I’m honest I loved two of the other contenders more - The Forgotten Waltz by Anne Enright and State of Wonder by Ann Patchett. I first came across Enright’s book when it was Radio 4’s Book at Bedtime and her smooth, elegant prose stopped me in my tracks. The novel chronicles a love affair that wrecks two Dublin marriages and is a stunning read.

Meanwhile Patchett’s book is the compelling story of a doctor sent to the Amazonian jungle to investigate the death of a colleague. An intoxicating blend of cutting-edge science and the closely guarded secrets of the rainforest’s remotest tribes, it’s a magnificent read by a writer at the height of her powers.

It will be interesting to follow the next chapter in the award’s history. This is the final year of Orange’s sponsorship of the prize (co-founder Kate Mosse hopes to announce a new sponsor later this summer) so it will have a new name next year. But one thing’s for sure. If this year’s stellar shortlist is anything to go by, women writers are a force to be reckoned with right now.

The other three novels shortlisted for the Orange Prize were Painter of Silence by Georgina Harding, Half Blood Blues by Esi Edugyan and Foreign Bodies by Cynthia Ozick.

Interview with Liz Fenwick - author of The Cornish House

Liz Fenwick’s path to publication sounds like a dream come true. She sent her debut novel out on a grey February day, not knowing what to expect, and by the end of the week it has been snapped up by Carole Blake, one of the top agents in the business. But as Liz explained to me, writing The Cornish House, her captivating tale of a rambling manor house and the family secrets it holds, took grit, determination and years of hard work.

The Cornish House is your debut novel. Can you tell me a little about the road to publication and how you got a publishing deal?

Liz: To make a long story short – in 2004 I promised myself I would begin to write fiction again. After writing seven books (not counting rewrites) and receiving encouraging rejections I finally felt that I had brought The Cornish House up to a level where I felt that it was as good as I could make it. So on a Monday in February, I sent it to four agents who had been encouraging me in my journey. By noon I had my first request for the full manuscript. I nearly fell over. On Saturday Carole Blake got in touch and said she loved it and would love to represent me. I was over the moon. Things moved swiftly from there. The first sale was to Holland, then the two-book deal with Orion in the UK and it went to auction in Germany. That was so exciting. Recently the book sold to Portugal. It’s all so unreal in a way – you dream about something all your life and finally you put the work in to make it happen and then it does…

How did you come up with the idea for The Cornish House?

Liz: This is the third novel I’d written (currently working on my eighth) and from the book before (August Rock) there was this rather dishy love interest named Mark and he kept pestering me for a story of his own. How could I refuse? That was part of it, but one day a few years ago several roads were closed and we detoured down a lane I hadn’t been on in ages and I saw The Cornish House. This is a house that I had always loved and been intrigued by. Then I had a discussion with a teenager going through that awful stage when they can only see their own point of view… Suddenly the story began to take shape….

Trevenen, the house at the heart of The Cornish House, sounds gorgeous. Does it actually exist?

Liz: Yes and no. The real house is different from Trevenen. In the writing of the book it grew and developed. I spent hours on the layout, which required a lot of internet searching of properties and floor plans…such a hard task. So Trevenen is my idea of the ideal house, but based on the house that captured my heart from the moment I saw it nestled into a fold in the land off a remote lane. That house is truly The Cornish House, and as such is rather special and its location is a secret…

The relationship between Maddie, the heroine of the novel, and her step-daughter Hannah, is incredibly tricky. How did you go about making it so convincing?

Liz: Probably because I’m a mother of teenagers…thankfully mine aren’t as spiky as Hannah. But I loved both these broken characters and I think that helps keep it “real” on the page because they were and are still very “real” in my head.

You divide your time between Dubai, Cornwall and London. How do you manage to write novels when you travel so much?

Liz: I can work on a plane or anywhere. Because I began writing fiction again when the kids were still fairly small, I can tune out the world and tune into my writing.

What are the best things about living in Cornwall?

Liz: The people, the scenery, the fresh fish, and my house…

Do you have any tips for writers working on their debut novels right now?

Liz: Be professional, be persistent and write the book of your heart.  It’s so tempting when you want your words to be read to follow the latest trend, but trends change as soon as you are aware of them. Write the book of your heart and with luck it will hit the right trend and you will have been true to yourself.

What is your own favourite novel? And are there any particular novelists who have inspired you?

Liz: This is such a tough question…there are so many favourites. I love Regency Buck by Georgette Heyer. It was the first one of hers that I read and her books were where I escaped to during my teenage years. A more recent favourite was Leo the African by Amin Maalouf. This showed me the history of an area through a very personal story and has the best opening line ever. In a way all writers who have completed a book inspire me. That is the toughest thing – to complete a book and then accept that you will have to rewrite it in some way at least once or in my case many many more times. But during my “apprenticeship” in the RNA’s New Writers’ Scheme I was lucky enough to watch Katie Fforde in action. She is my inspiration. She is such a professional in how she goes about all aspects of her work as a writer. She makes it look easy and I’m now learning how hard it all is…

Can you tell us a little bit about your second novel – August Rock? And when will it be published?

Liz: August Rock existed before The Cornish House. I’m now on my 27th rewrite and it’s a story I still love. It’s about Jude, who suddenly wakes up to the fact that she is following life by other people’s design and not her own. She flees her wedding and ends up taking a position as a research assistant to a garden historian on a Cornish estate. When the historian dies and his son arrives to sell the estate, she finds out that she has fallen in love for the first time - not with a person but a place. She has to save Pengarrock and find out who she really is and what she really wants. And oh, there’s a wonderful thirteen year old Victorian boy called Toby. I can’t seem to keep away from teenagers… It will be out in the spring of 2013.

The Cornish House by Liz Fenwick (Orion, £12.99)

From Wham! to physics O level - seven random facts

Along with a flying visit home from my daughter and a half-price Frappucino at Starbucks, the best thing to happen this weekend was receiving a Versatile Blogger Award from Rebecca Leith.

Rebecca Leith’s Blog is an irresistible mix of interviews, commentaries and reports on everything from the Olympic Torch to Friday 13^th.  My favourite post of all was the one where her lovely mum, the writer Anita Burgh, interviewed Bex herself. What a great idea.

Anyway, a big thank you to Bex for nominating me. I wasn’t sure what to do next so I’m following Bex’s instructions to the letter.

“Thank the person who gave you this award, and include a link to their blog,” she told me. “Next, select 15 blogs/bloggers you've recently discovered or follow regularly - I'd pick blogs or bloggers that are excellent! If it's a bit of a task to list 15, and I don't want you to feel being nominated is a burden, but mention as many as you can – eight or ten is fine. List them, and you might like to include a link to the sites, and let them know that you've nominated them. And then tell the person who nominated you seven things about yourself.”

So, in no particular order, I’d like to nominate: Tout Sweet, Liz Harris, The World from my Window, Sheena Byrom, Kate Morris, Nicola Vincent-Abnett, The French Village Diaries, Cari-Jane Haikes and Blog About Writing.

And here are seven random facts about me:

I once interviewed George Michael in a white towelling dressing gown (him, not me!) I was a feature writer for Woman’s Own at the time and he was one half of Wham! When I hurried into the Midland Hotel in Manchester, the tour manager told me George was in the gym and I should interview him there!

I’m a serial mover. My dad was in the RAF and I changed schools eight times. The moving habit has clearly stuck because me and my husband have moved ten times since we got married. Places where we've lived include London, Lancashire, France, North Yorkshire,  Northamptonshire and Oxfordshire.

My blog’s called House With No Name because the tumbledown farmhouse in France that I bought on a whim doesn’t have a name. “How does the postman know where to deliver letters?” we asked the elderly vendor. “He just does…” she said, mystified that we were mystified.

I failed physics O level.

I was once the world’s worst au pair. I couldn’t cook, couldn’t make beds with hospital corners and had never changed a nappy in my life.

When we were little my sister and I had our own dinghy. We once nearly crashed into a tanker in Poole Harbour. We heard a loud booming sound and looked round to see this massive monstrosity sailing straight at us.

I hate eggs. 

Twitter - and Sarah Duncan's writing blog

If you’re a writer in the first stages of your career – or any stage in your career, in fact – then Sarah Duncan’s blog is a must read. The author of five novels (including the highly-praised Kissing Mr Wrong), Sarah is also a creative writing lecturer and the Royal Literary Fund fellow at the University of Bath.

I’m a big fan of her blog, which covers everything from characterisation and dialogue to writing a synopsis (or not, as the case may be) and finding an agent. Yesterday’s post, as thought-provoking as ever, examined the thorny question of networking for writers – and more especially, the dos and don’ts of Twitter.

Sarah smartly compared Twitter to a drinks party. “ At this party it's socially acceptable to eavesdrop on conversations and join in if you've something to say even if you don't know the people talking, but generally the party operates on the usual lines,” she wrote. “Only the most socially inept people bang on about themselves all the time, conversations are about give and take, and no one likes being sold things at a social event.”

I reckon Sarah’s drinks party analogy sums up the best and the worst of Twitter. The most entertaining people on Twitter hardly ever mention their books or articles or blogs (mind you, many of them are such superstars they don’t have to), while the most annoying people never blooming shut up about themselves.

Actually, the best things about Twitter are the friends you make. I’ve chatted to lots of people on Twitter so often that I forget I’ve never actually set eyes on them in real life. I met a couple of writers at the Romantic Novelists’ Association’s summer party recently and it felt like I’d known them forever.

Oh, and when it comes to singing Twitter’s praises, my biggest treat of the week resulted from a tweet. Quod, my favourite Oxford restaurant, recently ran a competition to win lunch for two. I retweeted the competition - and guess what?  I won! So thank you, Quod, for a fantastic lunch. It was the perfect end to my week on Twitter. 

Sweltering in the sunshine, revision and The Great Gatsby

Phew, what a scorcher… I’ve wanted to write those words ever since my newspaper days. 

But deep down I wish the azure blue skies and sweltering heat hadn't arrived quite yet. Why? Because every teenager I know is revising for exams right now. And while the papers are full of annoying articles declaring that A levels and GCSEs have been dumbed down (not true, they’re just different), a generation of 16 to 18 year olds are stuck indoors trying to memorise endless quotes from Of Mice and Men. They look pale and stressed and keep muttering anxiously about the scores of exams ahead.

Funnily, enough, the year I took my A levels was a scorcher too. But I didn’t treat them half so seriously as today’s teenagers. Actually, I spent the entire summer lying on a Dorset riverbank sunbathing with friends and reading old copies of Jackie magazine.

But on the up side, teenagers are definitely less sartorially challenged in the sun than grown-ups. I hate my scary white legs and avoid baring them for as long as possible. Even though the sun’s been shining for a few days it’s been a real wrench to discard my habitual black tights and hunt out the fake tan. A London friend told me that on the first day of the heat wave a fellow passenger eyed her thick tights with disdain. “I wanted to tap her on the shoulder and tell her it wasn’t my fault I left for work before the weather changed,” she said. I had much the same feeling today when my daughter arrived home and eyed my blotchy orange ankles. “It's amazing how easy it is to forget to fake tan your feet,” she said.

PS. My son’s just made me watch the trailer for the remake of The Great Gatsby. I adored the novel (did it for A level, in fact) and swooned at Robert Redford in the original movie, so wasn’t that interested. But just take a look. I reckon it’s going to be the movie of the year…