On the Road - Kristen Stewart is mesmerising

The movie of Jack Kerouac’s classic Fifties beatnik novel On the Road is out this week – and it’s well worth seeing.

I was lucky enough to be invited to a preview and LOVED it. Kerouac was an alcoholic recluse when he died in 1969 at the age of 47, having failed to interest Marlon Brando in a screen adaptation of his novel, and for years the book was thought to be unfilmable.

But now director Walter Salles has brought it to life on the screen and although it’s received mixed reviews I reckon it works. Kate Muir, film critic of The Times, wittily described it as “a long-playing Abercrombie advertisement for beautiful young things” and she’s right. The movie is gorgeous to look at, no question, but it’s much more than that.

If you’ve ever thought of doing a road trip across America this stunningly-shot film will persuade you to hire a car (preferably a 1950s Cadillac) straight away, while Sam Riley as aspiring writer Sal Moriarty, Garrett Hedlund as Dean Moriarty and the mesmerising Kristen Stewart as Marylou, Dean’s wife, give stand-out performances.

So yes, the movie is rambling and hazy, but that’s how it should be. If you like jazz, writing, America and great cinematography, then don’t miss it.

On the Road, certificate 15, is showing in UK cinemas now.

Download School Ties for free today

Will Hughes slammed his pen down in frustration. It was ten fifteen on a rainy September night and he’d been marking Hamlet essays for more than an hour. And what a bloody shambles they were too. Admittedly he was teaching the bottom set, but he was stunned by the quality of the teenagers’ work. Some could barely string a sentence together, let alone use an apostrophe properly. Only one had produced work that showed any understanding of Shakespeare’s most famous play. 

Trying hard to stay awake, he took a gulp of cold instant coffee. He was less than halfway through the pile of scripts and at this rate he’d be hard-pressed to finish them by midnight. Worse still, he’d promised to take the first fifteen rugby squad on a training run at dawn.

For the umpteenth time, Will wondered why he had returned to teaching. He’d left his last school a year ago to join an up-and-coming Shoreditch advertising agency. Yet now he’d had another change of heart and given up his skinny lattes and generous expense account to return to the chalkface.

Not that Downthorpe Hall was a tough place to work. It wasn’t. Compared to the early years of Will’s career, when he’d been a young English teacher at a tough inner-city comprehensive, Downthorpe was the cushiest number imaginable. A private school dating back two hundred years, it was housed in an elegant Cotswold mansion, complete with castellated turrets, a winding two-mile drive and acres of playing fields. It had once been an all-boys school, but had gone co-ed twenty years ago. The decision was deplored by the old guard but had succeeded in giving the school’s academic results a much-needed shot in the arm.

Will stretched his arms out wide to keep himself awake, then stopped. He could have sworn he heard a loud whirring noise outside the window. It sounded like a helicopter. But that was impossible. Not at this time of night. And not so close to the school.

These are the opening paragraphs of my latest ebook, School Ties. If you’d like to read more, you can download the novella for free on Amazon today. Let me know what you think!

JK Rowling at the Cheltenham Literature Festival

There can’t be many writers capable of filling the cavern-like auditorium at Cheltenham Racecourse – but JK Rowling is one of them.

All 2,000 seats for the Cheltenham Literature Festival event at the weekend had been snapped up in a trice, with people travelling from all over the world to hear their heroine speak. When interviewer James Runcie threw the session open to questions at the end several tearful young fans stood up and said “I love you,” while one woman told her: “I hope you know how many lives you have touched.” “Don’t make me cry,” said Rowling, clearly moved by her words.

Rowling was ostensibly there to promote The Casual Vacancy, her  first novel for adults, but she proved generous with her time and her willingness to answer questions about everything from her favourite The Casual Vacancy character (Fats) to her favourite overall character (Dumbledore).

A tiny, blonde figure in a chic, black jacket, matching trousers and high heels, she rushed to the side of the stage to accept a letter from one awestruck young girl, crouched down to talk to her for a couple of minutes and gave her a hug.

Along the way she revealed that the next book she publishes will be for children, that Lucy Shepherd, the teacher who taught her A level English, was in the audience that night and that taking part in the London 2012 Olympic opening ceremony was the “proudest moment” of her life.

“I was terrified, absolutely terrified,” she said. “Walking out on to the hillock at the Olympic ceremony was extraordinary. I think I will see it on my deathbed. It was breathtaking and I felt extraordinarily proud to be in it.

“When the huge Voldemort grew up out of the middle of the stage my entire body went cold and I thought ‘how the hell did this happen?’”

Asked about books she read as a teenager she mentioned Catcher in the Rye, To Kill a Mockingbird and Lord of the Flies, while she revealed that the character from children’s literature she most adored was Jo March from Little Women. One book she’d read recently and loved was the Orange prizewinning The Song of Achilles by Madeline Miller.

Asked which of her own books was her favourite she confessed to a three-way split. “I love The Casual Vacancy – it’s what I wanted it to be.” Her favourite Harry Potter title is Deathly Hallows and “then for obvious reasons, Philosopher’s Stone – which changed my life.”

She said she made up stories for her own children but “they are very much tailored to my children. I don’t think they will be appearing in book form.”

At one point she also spoke about her own battle with depression. James Runcie, who described The Casual Vacancy as “Hardy with heroin,” asked her if she would ever write a comedy.

“I think this book is comic in places but the humour gets a little dark,” she replied. “I do have a tendency to walk on the dark side sometimes. I have suffered from depression. I know how that feels and I probably have an innate inclination that way. Writing is necessary to me and does help with that.”

At the end of the evening the queue for JK Rowling to sign copies of The Casual Vacancy stretched down the stairs and right round the building. She’d agreed to sign one book per ticket holder and people stood patiently, clutching their copies of the book and waiting their turn. Goodness knows what time they all got home.

Interview with Liz Harris - author of The Road Back

If you’re looking for a compelling story set in Ladakh, a remote region north of the Himalayas, then Liz Harris’s debut novel is just the book. The Road Back is the story of Patricia, who accompanies her father to Ladakh in the early Sixties. There she meets Kalden, a man destined to be a monk - but how can their forbidden love survive?

Dynamic ex-teacher Liz is a great friend of mine and agreed to be interviewed about the path to publication. Liz will also be giving a talk at Thame Library in Thame, Oxfordshire, on Friday October 12 at 1pm. Find out more here.

Did you write as a child and did you always want to write novels?

Liz: I don’t know that I wanted to write novels, but I loved writing essays, letters, anything I was given to write. I think it was some time before I connected the books that I adored reading with the process of writing. As a child, I rather assumed that books just happened. If only!

You were a teacher before becoming a novelist. What did you teach and did your years in schools help your writing in any way?

Liz: I taught secondary school English and French. If you approach me speaking fluent French next time we meet though, I should warn you that I feel a lengthy bout of laryngitis coming on. I think those teaching years did help me.  Apart from studying texts in the way that you have to do when teaching A level English, which gives a great awareness of what can be done with language and of the importance of the relationship between character to plot, a school is a microcosm of the larger world. It is a hotbed of seething emotions - although perhaps not quite as seething as Waterloo Road…

Your first novel, The Road Back, is just out. Can you tell me about the road to publication and how you got a publishing deal?

Liz: For the seven years prior to being accepted for publication, I kept on writing. I’d send a novel out, feel bereft and instantly start on another. I’d also send my novels for a critique. I believe that every novel needs independent eyes to help the author to see clearly what needs work. A published author has an agent/editor to be those independent eyes; not so an unpublished author, as I then was. I love writing, and I never thought of giving up for so much as one moment.

What gave you the idea for The Road Back?

Liz: Three years ago, my cousin, who now lives in Australia, appealed for help in finding a home for an album of notes and photos compiled by my late uncle after a trip he’d made to Ladakh in the 1940s, when stationed with the army in North India. No one in Australia was interested. The ink was fading fast and she was anxious to see it preserved. The album is now in the Indian Room of the British Library. It was brought to England by friends of my cousin. When I collected it from them, I held on to it for two weeks, read it and instantly fell in love with Ladakh. I knew that I had to set a novel there and I began to research its tradition, culture and geography.

How did you go about researching the novel? Did you visit Ladakh, the area where it is set?

Liz: Visiting the place where a novel is set is the ideal, and that’s what I’ve been able to do with my next novel.  I went to Wyoming, where it’s set, in August.

But Ladakh is at a very high altitude and I have very low blood pressure. I would have been susceptible to altitude sickness, and I was advised not to go there. However, since the gates of tourism were opened in 1974, Ladakh has become a mecca for trekking tourists, and thanks to the internet, YouTube and some excellent books on Ladakh, I was able to go there with them. I can close my eyes and see Kalden’s village, see the monastery suspended above the white houses below, and the distant mountains, just as well as if I’d been there.

How and where do you write? Do you shut yourself away from your family? Do you spend a certain number of hours writing or do you set yourself a daily word count?

Liz: In my pre-publication days, I’d come down, have my breakfast whilst catching up with my emails, then I’d write all day.  Whilst I can write anywhere, I prefer to be in my study. My husband, as practical as I’m impractical, would busy himself in the house until the evening. A blissful arrangement.

Post-publication, things have changed. It’s much harder now to find a concentrated period of time in which to write as there are so many other calls on one’s time. When I start work on my next book, which will be soon, I shall probably give myself a couple of days in the week when I don’t switch on the internet.

Do you have any tips for writers working on their debut novels right now?

Liz: Don’t worry about getting published: just write. Write what is crying out in you to be written, and don’t worry about anything else. In the end, it’s a matter of luck whether an author gets published. Hopefully, everyone will be as lucky as I’ve been, but giving birth to people who didn’t exist before you put finger to keyboard, people with emotions, who live and breathe in a world that didn’t exist before you created it – that is the real thrill. Getting published is only the icing on the (chocolate) cake.

What is your own favourite novel? And are there any particular novelists who have inspired you?

Liz: I’m going to be so corny now – I adore Pride & Prejudice. I love all of Jane Austen’s novels, though Northanger Abbey less than some – and I re-read them most years. I particularly love the way in which she lets her characters condemn themselves. She doesn’t take on a narrative voice – she lets the characters speak, and through their words we see their foibles. This is a rare art. But who initially stimulated my imagination as a child? The answer is Enid Blyton. I loved her school stories and the adventure stories. The Famous Five were six when I read the novels, and I led the way with a torch!

I know you’re an avid theatre-goer in your spare time. I can’t resist asking you about the best drama production you have seen this year. And what are you seeing next?

Liz: I’m going to see the drama about a family, Jumpy at The Duke of York’s. I missed it the first time it was on in London as it was instantly sold out, but I was at the head of the queue when it returned this year, again with Tamsin Greig, and I’m very much looking forward to it. The best drama production I saw last year may well be something most people won’t have heard of. It was Witness, an absolutely spell-binding production of a story of great emotional intensity. 

The Road Back by Liz Harris (Choc Lit, £7.99)

Friday book review - Ratburger by David Walliams

David Walliams is the fastest growing children’s author in the UK  – so children aged nine and up will be thrilled to hear that his fifth novel has hit the bookshops.

Like its predecessors, Ratburger is hilarious, sad and at times downright revolting. It isn’t for children of a nervous disposition but most young readers will laugh uproariously from start to finish – in between gasping in horror at Burt, Walliams’s evil, burger-van driving new villain.

Walliams excels at writing uproarious, laugh-out loud stories that combine humour and heart, and this one’s no exception. Zoe, his latest young heroine, has a back story that brings tears to your eyes. Her mum died when she was a baby, her dad’s lost his job at the local ice cream factory and Zoe’s got a horrible new stepmother called Sheila who eats prawn cocktail crisps all day and is so idle she asks Zoe to pick her nose for her.

The only bright spot in Zoe’s lonely life is Gingernut, her pet hamster – but that ends in tears when Zoe finds him dead in his cage. She suspects Sheila might have had something to do with Gingernut’s sudden demise but as she says, “what kind of person would want to murder a defenceless little hamster?”

But one night Zoe hears a baby rat scrabbling in the corner of her room and decides to adopt him as her new pet. Desperate to hide the rodent from the wicked Sheila, she takes him to school in her blazer pocket and calls him Armitage (after spotting the name Armitage Shanks in the girls’ toilets).

With brilliant illustrations by Tony Ross, this story is great for boys and girls alike. Walliams is a huge fan of the late, great Roald Dahl and children who enjoy Dahl's books will definitely like this.

Ratburger by David Walliams (HarperCollins, £12.99) 

Jeremy Vine at the Henley Literary Festival

How can a whole year have flown by since the 2011 Henley Literary Festival? And how can this year's autumn weather be so different ? Twelve months ago I listened to Bella Pollen and Kay Burley talk about their books in sweltering sunshine. This year the audience at Jeremy Vine’s event were all in winter coats, scarves and (in my case) fingerless gloves.

But who cared about the chilly temperature when Vine was there to treat us to a hilarious hour of anecdotes about his journalistic career – from his cub reporter days on the Coventry Evening Telegraph to his 25 years at the BBC.

Interviewed by the Daily Mail’s Sandra Parsons, Vine received a rapturous reception at Henley’s packed Kenton Theatre. A tall rangy figure clad in jeans, dark jacket and bright turquoise socks, he talked at top speed for 60 minutes, barely pausing for breath. Along the way he listed his top five DJs – Kenny Everett, John Peel, Terry Wogan, Chris Evans and Steve Wright – and his top four TV interviewers – Richard Dimbleby, David Dimbleby, Robin Day and Jeremy Paxman (or Paxo as he called him).

Even though I often listen to Jeremy Vine’s lunchtime show on Radio 2, I’d never realised what a brilliant mimic he is. Talking about his days as a political reporter at Westminster (and his trip round the UK in an ancient VW camper van during the 2001 general election) he got Peter Mandelson down to a tee. His Terry Wogan impersonation wasn’t half bad either.

I loved Vine’s recollections of working as a reporter on the Today programme. Those were the days when the late, great Brian Redhead was at the helm and Vine recalled Redhead’s habit of smiling when he turned his microphone on. “And when he spoke you could hear the smile in his voice,” said Vine in awe.

It’s All News to Me by Jeremy Vine (Simon & Schuster, £18.99)